Excellent condition. Cutaway. Mahogany back, sides and neck. Solid Spruce top. Rosewood fingerboard. Ebony bridge. Body size is similar to a "00" Martin size. Multiple bindings around top edge of body. Abalone soundhole rosette. 25 3/4" scale length. 1 3/4" width at nut.
     The Alvarez pickup system is quite good. Control panel has volume slider and two tone sliders. There is also a built-in electronic tuner that works really well. It even works without being plugged in... you just push a button to turn on the tuner, tune the instrument, then turn it off.
     This guitar is in very nice condition, with no problems and no repairs.

     Exc(++) Condition. There is one very small ding on the lower side of the guitar. No fret wear, no other marks.
     Sitka Spruce top, Mahogany back sides and neck. Top and back are bound with tortoise shell with multiple bindings on the top. Radiused Ebony fretboard with graduated Abalone dot inlays. Slotted peghead with Nickel tuners. Strap button installed in correct position on the heel The guitar has a nice K & K pickup with end pin jack installed and comes with an L.R. Baggs "Para Acoustic DI" preamp.
     Very nice sound for a guitar in this price range. Plays great and looks new.

     New. Choice Mahogany back, sides and neck. Adirondack Red Spruce top. Adirondack bracing. All Hide Glue construction. Ebony fingerboard and bridge. Brazilian peghead overlay and heelcap. No tongue brace. Advanced scalloped braces. Tortoise bindings on body. With multiple wood purflings inside top edge. Waverly open-back, pre-war style tuners. Tortoise pickguard. Bone nute and bone intonated saddle. Ivoroid pins. Small dot Ivoroid inlays in fingerboard. 1 23/32" width at nut. 24.9" scale length.
     Great sound. The guitar has a quick and sure attack and solid tonal response across the board. It has a nice crispness up the whole fretboard, even on the bass strings. This is a fine sounding guitar.

     New.
     Very nice Sitka Spruce top, Mahogany back, sides and neck. Radiused Ebony fretboard with ivoroid dot inlays. Rosewood peghead venner with Bourgeois logo inlaid in Ivoroid. Nickel Waverly tuners.
     The sound is big and resonant. The lower end is especially nice on this guitar with big, boomy bass.

     Exceptional condition. No fret wear, no player wear, no repairs. All original and in great shape. Not even a strap button installed!
     Very beautiful Mahogany back, sides and neck. Choice piece of Adirondack Red Spruce for the top. The top and back show great depth, beauty and character, with lots of medullary side rays (silk figure). Ebony fingerboard and bridge. Brazilian Rosewood peghead overlay. Old style tortoise pickguard. Bourgeois pearl logo inlaid in peghead. Small pearl dots inlaid in fingerboard. Bone nut and compensated saddle. Ivoroid bridge pins and endpin. Nickel Waverly pre-war style open-back tuners. Mahogany end wedge. Multiple bindings around top edge with tortoise outer binding. Tortoise bound back.
     This is a great guitar from Bourgeois. Lots of tonal depth and clarity. Big, raw sound that you can feel in your chest when you play.

     Exceptional condition. No fret wear, no player wear, no repairs. All original and in great shape. Strap button correctly installed in neck heel.
     High grade Mahogany back, sides and neck. Very nice piece of Adirondack Red Spruce for the top. The top shows lots of beauty and character, with lots of medullary side rays (silk figure). Ebony fingerboard and bridge. Brazilian Rosewood peghead overlay. Old style tortoise pickguard. Bourgeoi pearl logo inlaid in peghead. Small pearl dots inlaid in fingerboard. Bone nut and compensated saddle. Ivoroid bridge pins and endpin. Nickel Waverly pre-war style open-back tuners. Mahogany end wedge. Multiple wood bindings around top edge with tortoise outer binding. Tortoise bound back.
     This is a fine example of a "Country Boy" guitar from Bourgeois. Great attack, depth, balance... and all with lots of power and projection.

     Almost new condition. No fret wear, no dings, no repairs, no problems. No strap button installed in neck.
     Top-grade Adirondack Red Spruce top showing lots of silk and some figure that comes and goes depending on the angle you look at it. Choice Mahogany back, sides and neck. Brazilian Rosewood peghead overlay. Ebony fingerboard and bridge. Bourgeois logo inlayed in peghead. Small pearl dots inlayed in fingerboard. Bone nut and intonated bone saddle. Ivoroid bridge pins and end pin. Multiple wood bindings on top edge, with Tortoise outer binding and Tortoise bound back. Rosewood heel cap. 1 23/32" width at nut. Nickel Waverly open-back tuners.
     The set-up is great. This guitar has really good sound.

     VG(+) condition. This guitar is in great playing condition, but does have several well-repaired cracks. Center seam and 2 more parallel cracks were beautifully repaired on the top. Neck also has some repairs.
     For more information, please call 406/327-9925...

     New. Top model from Bourgeois. Beautiful and tasteful and toneful. This instrument is built with premium grades of Adirondack Red Spruce top and Brazilian Rosewood back and sides.
     The D-150 is very well-appointed, with many features that add to the overall look and performance. And... Dana Bourgeois always personally chooses the woods and bindings for each guitar to insure they look fabulous.
     Brazilian Rosewood peghead overlay. Ebony fingerboard with small dot inlays. Ebony bridge with 2 1/4" pin spacing. 1 23/32" width at nut. Fossilized ivory nut and intonated saddle. Fossil ivory bridge pins and end pin. Gold Waverly open-back pre-war style tuners. Fully bound with outer ivoroid bindings with inner multiple purflings.
     This guitar is truly a great one. All of us here noticed right away that this one is marvelous for its sound. Huge voice, with plenty of growly, snarling lows and beautiful strong highs. In short, this guitar is a "hottie".
     So - if you are looking for a great D-150, this is the one.
   

     New. This 14-fret short-scale guitar is a very nice Mahogany slope shoulder guitar. It has understated beauty that makes it as nice to look at as to hear. Dana Bourgeois personally selected peghead overlay, pickguard, and Mahogany color to create a color motif that ties the entire guitar in beautifully.
     Nickel Waverly tuners with Ivoroid buttons. 1 23/32" width at nut. Ebony fingerboard and bridge. Brazilian Rosewood peghead overlay. Multiple bound top. Choice Mahogany back, sides and neck. High-grade Adirondack Red Spruce top that shows a lot of character and is creamy smooth. Small dot inlays in fingerboard. Ivoroid bridge pins and end pin.
     The guitar plays great, and is versatile through a wide range of styles.

     Previously Owned Condition - No sign of wear anywhere... but a strap button is professionally installed in neck heel.
     Nice sunburst Adirondack top. Beautiful Honduran Mahogany back, sides and neck. Top is multiple bound with ivoroid. The back, fretboard and peghead all have single ivoroid bindings.Radiused Ebony fingerboard with small pearl dot inlays. Ebony peghead overlay wityh Bourgeois logo inlaid in pearl. Nickel Waverly tuners with ivoroid buttons. Strap button installed professionally in heel.
     Big bold sound. This guitar is opened up nicely, it has great balance and resonance.

     Exc (+) condition. This is a very nice guitar with no player wear.  There are a couple of light dings that you may or may not see in photos. It has a deep, powerful sound with a satisfying snap on the high end. Adirondack Red Spruce top with a great orange/brown sunburst and fire-stripe pickguard to match. Beautiful Indian Rosewood sides and back with a Mahogany neck. Full Ivoroid binding with multiple bound top. Ebony bridge with Ivoroid bridge pins, bone nut and bone intonated saddle. Strap button installed professionally on heel. Brazilian Rosewood peghead venner inlaid with "Bourgeois" logo. Nickel Waverly tuners with ivoroid buttons.
     This is a fine guitar in great shape that is set-up well and plays and sounds great.

     Almost New condition. No dings, No fret wear, No problems. This guitar is in very nice, pristine condition, but does have a strap button installed on neck heel.
     Traditional tobacco sunburst. Select Mahogany back, sides and neck. Adirondack Red Spruce top and bracing. Ebony fingerboard, bridge and peghead overlay. Small pearl dot inlays in fingerboard for position markers. Bourgeois logo inlaid in peghead.
     Fully bound with ivoroid bindings, with extra black line showing at top edge. 1 23/32" width at nut. 25 1/2" scale length. Traditional firestripe pickguard. Nickel Waverly pre-war style open-back tuners with ivoroid buttons. Ivoroid bridge pins and end pin.
     Clear, bell-like sound. The notes are sure and defined all the way up the fretboard. It has big, bouncy bass and a nice, snappy high end.

     Nearly New Condition. No signs of careless handling, no sign of player wear. No strap button on heel. This one is extremely clean and unscathed, and besides that it has great woods and great sound!
     Very nice straight grained Brazilian Rosewood with great color. High grade Adirondack Red Spruce top. Mahogany neck.Ebony fingerboard and bridge. Brazilian Rosewood peghead overlay. Bourgeois logo inlaid in peghead. Cut diamond inlays in fingerboard.
     Multiple ivoroid bindings showing on top, back and sides of body, with wooden herringbone purflings around inside of guitar top edge. Multiple colorful wood layers around soundhole rosette. Wooden colorful marquetry strip inset into center line of guitar back.Ivoroid heelcap. Brazilian Rosewood end wedge that is attractively mitre'd-in.
     This is a "hot" guitar. It is quick on the draw and has a fast, abrupt, solid attack with good depth and good growly resonance. There is not much difference in this guitar and getting a brand new one... except that the price on this one is very low.
 

     "As New" condition. This is a very nice instrument that has great sound and is in great original condition.
     Beautiful Mahogany back and sides, with a highly figured Mahogany neck. Solid Sitka Spruce top with lots of side ray "silk". Breedlove logo pearl inlay in peghead, small tasteful pearl dots in fingerboard, with extra flourish of pearl inly at 12th fret. Not sure of the tuner brand, but they work very well.
     Rounded Cutaway. Abalone soundhole rosette.
     Comes with great pickup system. LR Baggs "Stage Pro" Element, that not only has 3-band eq, master volume, and notch filter, but also an on-board tuner.
     This is a fine bass. It is in great original condition and plays and sounds great. The timbre from even the lower strings has a great growl. This latest series of the BJ-350 has been "re-adjusted" to be not only significantly lighter, but also much more resonant, and this shows in the great sound.

     Exc(+) condition. This guitar is in great shape, but does have light marks here and there. No appreciable fret wear, no bangs, no repairs.
     Traditional Mahogany Dreadnaut with Englemann Spruce top. Ebony fingerboard and bridge. Body bound with multiple wood and tortoise top binding, back of body has single tortoise binding. Herringbone soundhole rosette. Rosewood peghead overlay with abalone logo inlaid. Pearl dot inlays in fingerboard. McIntyre Feather pickup installed on the bridge plate with an endpin jack. Strap button professionally installed on heel.
     This is a very good handmade guitar. The woods are high-grade, the aesthetics are pleasing, the craftsmanship is very high, and best of all, the performance and delivery of good solid tone are very nice. I am very serious in saying that we delayed listing this guitar for a week or two because I was trying to figure out a way for my wife to let me keep it...
     Mr. Lynch has told us that he may be retiring due to health. The last few of these Lynch Mahogany Dreadnauts were sold to customers by Mr Lynch for $2400. This one is pretty clean and has great sound... for lots less.

     Mahogany body, Sitka top . Styled similar to old "L-00" shape. Short scale length, 24 7/8". 1 3/4 width at nut. Sunburst top. Nickel Schaller Mini-tuners. Great sound and responce. Perfect for blues or folk stylings.

     Exc(+) condition. Only a few very tiny touch-marks here and there on the top. No fret wear.
     Indian Rosewood with nice high-grade Sitka Spruce top. Mahogany neck. Gabon Ebony fingerboard and bridge. Small graduated dot pearl inlays in fingerboard. Bone nut and saddle. Nickel Waverly vintage style open-back tuners. Multiple Ivoroid bindings: 6-ply along top edge, with 3-ply around back of body, along fingerboard and around peghead. Collings "Haircut" peghead shape. Ebony peghead veneer with Collings logo inlaid in pearl.
     This is a very, very good guitar, with lots of power and presence. Forget about obsessing over Adirondack Red Spruce - this one is Sitka and it sounds great!

     Exc.(+) Condition. No igns of playiong except minimal marks on some frets.
     Beautiful sunburst Spruce top. Indian Rosewood back, sides and neck with. Multiple Ivoroid binding on top, back fretboard and peghead. Mahogany neck. Radiused Ebony fretboard with graduated pearl dot inlays. Nickel Waverly tuners.1 11/16" width at nut. 2 1/4" pin spacing.
     Great full sound, low action.

     Like New condition. No problems. No wear anywhere.
     Wide-grained Adirondack Spruce top. Rosewood back and sides. Top has Herringbone binding. Back has multiple Ivoroid bindings, fretboard has single Ivoroid binding. Scalloped Adirondack bracing. Mahogany neck, radiused Ebony fretboard without inlays. Nickel Waverly tuners. 1 3/4" width at nut. Special "speckled" tortoise celluloid pickguard.
     Powerful sound. This guitar is still pretty new and sounds great, but still the next buyer will be treated to hear it "open up" further. Plays smooth and fast and fills up the room with sound.
 

     New. 1 11/16" width at nut. Choice Mahogany back, sides and neck. Select Sitka Spruce top with plenty of lovely silky side rays. Ebony fingerboard and bridge. Bone nut and intonated saddle. Ebony pins. Waverly nickel tuners. Graduated size pearl dot inlays in fingerboard. Multiple tortoise binding on top edge, single tortoise binding on back.
     It's always been a little bit funny how so many people buy Collings guitars with Adirondack Red Spruce tops as if it is a necessity. Sure, they sound great... but so do the Sitka topped models like this one. Powerful and full sound with lots of 'gusto', without the longer break-in periods for Adirondack.
     This is a very fine example of a hot Mahogany guitar with great attack, great balance, depth and power. The set-up is very nice.
 

     New.
     Nice tight grained Adirondack spruce top, Mahogany back, sides and neck. Top is multiple bound with outer tortoise binding. Back is single bound with tortoise. Radiused Ebony fretboard with graduated Pearl dot inlays.Nickel Waverly tuners. 1 3/4" width at nut.
     Great, big sound with lots of power.

     New.
     Nice Adirondack Spruce top, Mahogany back, sides and neck. Top is multiple bound with outer tortoise binding. Back is single bound with tortoise. Radiused Ebony fretboard with graduated Pearl dot inlays.Nickel Waverly tuners. 1 11/16" width at nut.
     Great, big sound with lots of power. Smooth action.

     New. Choice Mahogany back, sides and neck. High grade Adirondack Red Spruce top. Ebony fingerboard and bridge. Nickel Waverly tuners. Bone nut and intonated saddle. Ebony bridge pins and end pin. Collings logo inlaid in Ebony peghead overlay. Small dot inlays in fingerboard. Multiple tortoise bindings around top edge of guitar. Tortoise bindings on back edge of guitar.
     This guitar just arrived and the first guy to play it here was one of our favorite players, Bill Neaves. He took it into the studio to record some sound samples and quickly announced that he really liked it and that it was a very strong guitar.
     In general, D-1A's have almost become the "standard" of the modern Mahogany Dreadnaut guitars. They are known for their thunderous sound, much like the revered pre-war D-18's of the 1930's and early 1940's.

     New. One of the most respected guitars of our time... and sure to be a favorite among vintage collectors and serious players in the future, these Mahogany Dreadnauts are very powerful with wonderful presence and tone.
     Choice Mahogany back, sides and neck, with high grade Adirondack Red Spruce top. Ebony fingerboard and bridge. Nickel Waverly pre-war style open-back tuners. Bone nut and intonated saddle.
     1 3/4" width at nut, 2 1/4" pin spacing at bridge. 'VN' designation means "Vintage Now"... which is a slightly slimmer pre-war neck profile that is very comfortable.
 

     New. Really, what can I say about a guitar like this...? If you are reading this, you probably already know Collings' guitars, and possibly have played and heard a D-1A.
     If you already are familiar with these models, you don't need to be told about their tone and power and projection.
     If you are not familiar with them, please read on:
     D-1A's have established themselves as one of the hottest flatpicking guitars ever designed and built. They deliver a crisp, bold attack, with plenty of "boom" in the lower register. They have depth to balance the clear, clean highs.
     When brand new, these Adirondack top D-1A's sound great, but after a few months of being "alive", they begin to open up tremendously, with the attack changing to be more full and less strident. After one year they are on their way to being fully opened-up, but it is really after about 2 years that you begin to hear the guitar sounding more like a true vintage sound than a new guitar.
     Seriously... I rank these guitars in highest category of Mahogany Dreadnaut, and cannot think of a rival guitar that out performs them.
     High grade Mahogany back, sides and neck. "AAA" Adirondack Red Spruce top with very wide grain lines throughout. Ebony fingerboard and bridge and peghead overlay. Graduated pearl dot inlays in fingerboard. Nickel Waverly tuners. Bone nut and intonated saddle.
     The designation, "VN", means "Vintage Now" neck profile. This means that this guitar has 1 3/4" width at nut and also has a slightly larger neck profile in your hands. The neck isn't really thick, because the "Vintage Now" profile is close to a 1930's and 1940's Martin profile that was 'in-between' the really wide and thick necks and the later slimmer necks from around 1940 and on.

     New.
     Choice Sitka Spruce top with Adirondack Red Spruce braces. Mahogany back, sides and neck. Ebony fingerboard and bridge. 1 3/4" width at nut. "Vintage Now" neck profile.

     New. This is an exceptionally fine sounding guitar.
     Choice Sitka Spruce top with Adirondack Red Spruce scalloped bracing. Choice Mahogany back, sides and neck. Ebony fingerboard, peghead overlay and bridge. Graduated dot inlays in fingerboard. "Collings" logo inlaid in peghead. Nickel Waverly tuners. Bone nut and intonated saddle, Ebony pins. No tongue brace. "Vintage Now" neck and bridge - this means the nut width is 1 3/4" and bridge pin spacing is 2 1/4".
     This guitar sounds much more mature than it's age. When played against your chest, it resonates your chest and sternum. Tremendous sound that fills the area. Very punchy, with nice color and depth.

     Exc(-) Condition. One ding on the top. Choice Sitka Spruce top with Indian Rosewood back and sides. Mahogany neck, 1 11/16" width at nut. Waverly tuners. Ebony fingerboard and bridge. Great open sound that you would expect from an 11 year Collings. We don't get used Collings Dreadnought very often and they don't usually stick around very long...
    

Here's a chance to own a basically brand new (2012) Collings at about $600 less than a new one. This guitar is in "as new" condition... No marks, nicks or scratches. Frets show only the very slightest sign of wear and could be easily made new again with a light milling.
     Indian Rosewood back & sides. Mahogany neck. German (European) Spruce top. Ebony fingerboard and bridge. Nickel Waverly pre-war style open-back tuners. Bone nut and intonated saddle. 1 3/4" width at nut, 2 1/4" pin spacing at bridge. 'VN' designation means "Vintage Now"... which is a slightly slimmer pre-war neck profile that is very comfortable and popular among players these days.

New. Indian Rosewood back, sides Mahogany neck, with German (European) Spruce top. Ebony fingerboard and bridge. Nickel Waverly pre-war style open-back tuners. Bone nut and intonated saddle.
1 3/4" width at nut, 2 1/4" pin spacing at bridge. 'VN' designation means "Vintage Now"... which is a slightly slimmer pre-war neck profile that is very comfortable and popular among players.

Indian Rosewood back and sides. Adirondack "Red Spruce" Top. Dreadnaut Body. 1 11/16" width at nut. 2 1/4" pin spacing at bridge.
Wooden herringbone top purfling, with ivoroid outer bindings on top and back. Ebony fingerboard and bridge. Nickel Waverly pre-war open-back tuners. Bone saddle and nut.
This guitar came in just today. More info and photos next week.

     Near-mint condition. This guitar was owned, but never used. There is one very slight ding hardly worth mentioning on the back of the peghead between the tuners. Everything else is clean and original.
     One of the most popular guitars we sell, the Collings Rosewood dreadnauts have long been a favorite among serious players. Indian Rosewood back and sides, Mahogany neck, and Adirondack Red Spruce top. 1 3/4" width at nut. Ebony fingerboard and bridge. Bone nut and saddle. Ebony bridge pins and end pin. Waverly pre-war style open-back tuners.
     This guitar has great cutting power with warmth and presence. Very well balanced, very quick attack.

     New. Indian Rosewood Dreadnaut with German Spruce top. 1 3/4" width at nut. 2 1/4" pin spacing at bridge.
     Wooden herringbone top purfling, with ivoroid outer bindings on top and back. Ebony fingerboard and bridge. Nickel Waverly pre-war open-back tuners. Bone saddle and nut.
     We have been ordering some of these D-2H guitars with German tops for a few years now, and have been very happy with every one. In today's excitement of ordering instruments, many people just think that Adirondack Red Spruce is the "best" tonewood for a top. This is not true at all. Red Spruce has many desirable characteristics, but so does German Spruce, Lutz Spruce, Italian Spruce, Englemann Spruce, and Sitka Spruce.
     Most of today's Collings guitars made with Red Spruce require a fairly lengthy 'break-in' period because the wood is so hard and stiff (longitudinally and laterally). German Spruce, however, allows you to enjoy a more "open" sound right away, as the characteristics of the Spruce are allowing it to be more resonant more quickly.
     The German Spruce Collings guitars have a very nice "growl" and "snarl" and very strong expressive highs... and gives it to you at a price $450 LOWER than if you choose Red Spruce. Don't get me wrong, I love Red Spruce... but it is impossible to ignore how great German Spruce sounds when compared to Red Spruce. Time after time here in our store we've listened to them compared to each other, and had the German Spruce guitar "win" against Red Spruce.
 

     New. Traditional "OM" body with 24 7/8" scale length and German Spruce top.
     We've been very impressed with this formula of the 14-fret OM body with short scale for some time. It is very apparent how the scale length allows more warmth and a slightly looser feel. It works well with fingerpicking as well as strumming or flatpicking.
     German Spruce is quite an excellent tone wood. It 'breaks-in' relatively fast and conveys very good strength and growl.
     Mahogany back, sides and neck. German Spruce top. Waverly nickel open-back tuners. Ebony fingerboard and bridge. Small dots inlaid in fingerboard. Bone intonated saddle, bone nut. Ebony pins.

German spruce top, Indian rosewood back and sides. 1 3/4" width at nut. Short scale... 24 7/8". Nickel Waverly tuners. Ivoriod bound with Herringbone trim.

     Exc(++) condition. "Clean as a pin". There are a few minor touch marks on the instrument and just some slight fret wear.
     All Mahogany construction, with choice Mahogany back, sides, neck AND top. Blank Ebony fingerboard. Ebony peghead overlay with Collings logo inlaid in pearl. Multiple wooden bindings around top and back of body, with outer ivoroid binding. Ivoroid binding along fingerboard. Multiple bound peghead with outer ivoroid bindings.Ivoroid heelcap. Nickel Waverly pre-war style open-back tuners with ivoroid buttons. Abalone soundhole rosette. Small tortoise teardrop pickguard.
     Comes set-up with an excellent professional pick-up system. Professionally installed K&K pickup wired to a Crown GLM microphone element. The K&K piezo elements are mounted onto the bridgeplate, while the Crown mic is clipped to a back brace with mic aimed up toward the soundhole.
     The sound of this fine Mahogany OM is really great. It has opened-up very well and is fully resonant. It is very well balanced, with big bold bass notes and clear, clean expressive highs. Lots of sound with fast, sure attack. Besides the utility of this instrument, it is also one of the most handsome guitars we've had in here in some time.
     The new selling price for this guitar (including the nice pickup system), is $4900 - $5000. This one is very close to "newish" condition, AND  comes with about $300 worth of excellent electronics installed, for only $3850.
     To me, this guitar has everything - great unique "look", great feel and set-up, great "opened-up" tone, great electronics and great price.
    

     Exc. Condition (Professional Refinish.) Top playing condition, with no issues, nothing needed. Guitar refinished some time ago by a professional. It appears to be a beautiful, hand-rubbed finish. All-original parts.
     Spruce top, flamed Maple back. Fully bound top, back, neck and peghead. Matching cream heelcap Top and back show multiple black lines inside the outer binding. Original tortoise pick-guard, "Frequensator tailpiece", compensated rosewood adjustable bridge and tuners. Radiused rosewood fingerboard with pearl block inlays. Large Epiphone logo inlaid in headstock with tasteful floral pattern below.
     Great sounding archtop, this is your ticket for the David Rawlings sound.

     New Condition. Hardly any signs this guitar was ever played. 60th anniversary 1951 Fender Tele Re-issue. Black pickguard blonde finish. No sign of playing on fretboard or body.
    Ash body with see-through blonde finish. Maple neck with radiused fingerboard and black dot inlays. B/W/B pickguard. Two single coil pickups with 3-way switch and master volume and tone knobs. "Fender 60th anniversary" commemorative neck plate.
     Nice tele reissue, it has the same great look and feel as the 1951 originals. Sounds great, plays great.

     Exceptional Original Condition. This could easily pass for a new guitar.
     Spruce top with Herringbone binding. Nice Mahogany back, sides and neck. Ivoroid binding on top, back and peghead. Decorative center-seam inlay down back. Radiused Ebony fretboard with pearl dot inlays. Mahogany peghead overlay with Gallagher logo inlaid. Schaller tuners.
     Nice sound. Great for flatpicking, good for fingerpicking. Nice low action, the truss rod responds very well to adjustments. This guitar has MORE snap in the attack and MORE projection than I usually expect to hear.
 

     Exc. Condition. Only slight evidence of player wear on frets only. The body just has a couple of small touch marks and that's it. No cracks, no repairs.
     Similar body size to a 000.  24 3/4" scale length. 1 3/4" nut width. Neck is a rounded V shape. Ivoroid bindings on top and back of body, along fingerboard, and around peghead. Herringbone purfling along top edge and soundhole rossette. Rosewood peghead overlay with Gallagher logo inlaid, and "flourish" in the middle. Ebony fingerboard with "diamond" and "cat-eye" inlay. Diamond volute on underside of peghead. Ebony bridge with two Abalone dots inlaid. Ebony heelcap. Ebony end wedge meitered in with multiple wood edging. Decorative back strip along center of back. Tortoise pickguard.
     Nice sound with lots of resonance.

     Good condition. Several professionally repaired top cracks. One repaired back crack. Heavy signs of wear on body and neck of guitar. The finish is checked and dinged. The finish on the neck is almost completely worn through, but the frets are in great shape. The banner headstock is in good condition, although dinged up a little. Remnants of artwork on the pickguard.
     Spruce Top. Maple back, sides and neck. Three piece neck with Rosewood stringers. Newer copy Rosewood bridge. Single binding on top and back of body. Rosewood fretboard with pearl dot inlays. Peghead with original tuners - "D" string tuner has bent shaft, but still tunes well. "Only A Gibson Is Good Enough" banner in headstock. 24 3/4" scale length, 1 3/4" width at nut.
     This is a great guitar if you look past the few flaws in it's appearance. The sound is gorgeous, with more openness and less of the boxiness that this style of Gibson is known for. Recent professional neck reset, fret job, bridge, braces glued, etc. In short, it's set-up wonderfully and has a great sound.

     Exc(-) condition. Three repaired cracks in the top - one parallel to center seam from bass side of bridge to the lower binding, and two that are along the Spruce grain between soundhole and waist on bass side. Original parts and original finish. Finish shows finish checking throughout. Peghead shows some lacquer chips at edge and some wear from leaning against walls.
     Mahogany back, sides and neck, with Spruce top. Rosewood fingerboard and bridge. 1 5/8" width at nut. Multiple bindings on top and back. single binding along fingerboard. "B-band" pickup installed professionally in guitar.
     This is a very good sounding guitar. It has a strong bold attack, good tonal development. Lots of depth and good balance.

     Exc. Condition. One small professionally repaired top crack on the top. There are a couple marks, but no glaring aesthetic problems. Back shows random marks and 'worm trails'. One top crack repaired at extreme treble side of lower bout on top. Frets are in great shape having been recently milled. Minor lacquer checking, frets are in great shape.
     Choice Sitka top. Mahogany back and sides with beautiful red hue. 7-ply top binding. 5-ply back binding. Fingerboard is bound. Brazilian Rosewood fingerboard and bridge. Parallelogram inlays in fingerboard. Original adjustable brdige with ceramic saddle. Original Kluson tuners. All-original finish in good shape with some finish checking here and there.
     The guitar plays nice, and sounds very nice.

     Exc.(+) Condition. Really clean all around. Just one light touch on the top.
     Heavily bear-clawed Sitka top. Rosewood back and sides. 4-ply white binding on the top, and single binding on the back and fretboard. Mahogany neck. Ebony bridge and fretboard with Pearl dot inlays. Fishman pickup installed.  Newer hand-made bone nut. Strap button professionally installed in heel.
     This is a really nice playing Gibson at a low price.

     VG condition. Lots of player wear all around, and some repairs... but it has original pickup and original finish.
     This is truly a 'player's guitar', because it has a great mojo going for sound and has a very good set-up.
     * Please call for more information and an in-hand description.

Exc. (+) condition. Spruce top, Mahogany back and sides. Rosewood fingerboard and bridge (Brazilian) Unaltered original Hawaiian style neck, High nut that measures 1 7/8" wide. Replacment "Golden Age" tuners. Original tuners are included with replacment knobs. Comes with the original softshell case that is in fine condition. All the latches work, but one hinge is in need of repair. Truly one of the best examples we've seen.

     Exc(+) condition. Only has a few minor touch marks here and there and very little fret wear. All original parts - no repairs.
     This is the famous Mahogany Dreadnaut from Gibson that seems to have universal appeal across a broad range of players. Select Englemann Spruce top. Brazilian Rosewood fingerboard and bridge. Parallelogram inlays in fingerboard. Gibson logo inlaid in headstock along with a "crown" inlay below the logo.
     Multiple bound top and back of body. Single binding along fingerboard. Traditional "Hummingbird" pickguard is in great shape.
     This is a very full sounding guitar that is very evenly balanced across the fingerboard. It has a quick attack and strong resonance.
     * Remember that these "Nashville period" Gibson acoustics were NOT over-built like the ones from the 1970's. These are much more lightly built and have much better sound in my opinion.

     Exc.(-) Condition. Fullerplast finish. No cracks, no repairs. Just a few lines of finish checking here and there on the top.
     Beautiful traditional tobacco sunburst finish. High-grade Sitka spruce top. Maple back, sides and neck. Top is bound with 7-ply binding, 5-ply back binding. Fingerboard is single bound. Peghead has 5-ply binding. Heel cap is bound with 3-ply binding. Rosewood fingerboard and bridge. Pearl crown inlays in fingerboard. Original pickguard in great shape. Decorative wooden strip down center of back. gold "Kluson-style" tuners with antique tulip buttons.
     Guitar is branded "workshop" in the back strip next to the label inside soundhole. We think the incidental finish checking is the reason that this guitar has been marked with the "workshop" label.
     The guitar has a great, full tone. Very balanced and meaty, and we haven't even put new strings on it yet.

     VG+ condition. This guitar is in nice playing condition. It has some button marks on the back, some moderate fret wear, one nick in center of back of neck, and a very small bubble, or rumple, in the top just below bridge. This small bump has been thoroughly checked out and it is very stable. We tried to take a close-up of the spot, so you could see it, but it is difficult to even get a good photo of it - that's how slight it is...
     Mahogany back, sides and neck with select Sitka Spruce top. Rosewood fingerboard and bridge. Long scale. 1 11/16" width at nut. Rounded "V" neck profile.
     This guitar has very good sound. We've just installed a new bone intonated saddle in the bridge and the guitar was immediately 20% better sound than with the factory "fake bone" saddle. It is strong, with good depth and balance.
     In all seriousness... this instrument is a great flatpicking guitar, especially for the price. It has lots of power and presence, with good balance. It would be the perfect guitar to take to festivals or to buy for a young serious flatpicker.

     Exc(-) condition. Some repairs... One side crack repaired in bass side upper bout. Back center seam reglued. Two worn areas in upper center of back have been cosmetically touched up with lacquer. One worn area in back is not touched up. NO top cracks.
     This is a very nice playing and sounding J-45 that has been recently professionally set-up. Frets are in great shape with no wear. Original bridge and pickguard. Tuners have been replaced with "Kluson DeLuxe" vintage re-issue tuners that look so great its hard to say they are replacements.
     This guitar plays like butter. It is wide open, has a great balance and just sounds like 60-year old wood is resonating in your hands.

     Good(+) Condition. This guitar has been played. There are a lot scratches and areas where finish has worn off. The top, back and sides all have cracks that have been repaired, please call us for more information. The neck just has a few small marks and an area wear finish has been worn through. There is no fret wear, playability is very nice.
     Sitka Spruce top, Mahogany back, sides and neck. Top and back are single bound. Radiused Rosewood fretboard with Pearl dot inlays. Original Kluson Deluxe tuners.
     This is a player's guitar. The sound is wide open, very clean and crisp with big, strong bass. Plays great. It has that "old dried wood" sound that is a quick attack with very satisfying growl with clear singing trebles.
     * Some people will insist that the first J-45's were the "Banner" models... but those of us who have seen thousands of old Gibsons understand that there were a significant number of these 'transition' guitars produced BEFORE they were listed in catalogs and BEFORE the 1942 start of the Banner Logo.

     Good+ condition. 1 11/16" width at nut. This guitar has a 1951 Gibson medium "C" profile neck. Neck has a few dings and is not a body-matched color (see photos), but is now tremendously different. Neck has a fresh milling, fresh fret job and new nut. Center seam on top has been re-glued, as well as five other top cracks. Back has two repaired cracks. Sides are crack free.
     Sitka Spruce top with cherry red sunburst, Mahogany back, sides and neck. Ebony fretboard with pearl dot inlays. Ebony peghead venner with replacement Kluson "Deluxe" tuners. Body is bound with multiple bindings on top. The original adjustable bridge has been replaced with matching Rosewood grafts where the poles used to be. New saddle as well. Strap button installed correctly on heel.
     Good setup and good action, overall a very nice guitar for a player.

     Exc. Condition. Top braces have been reglued, the top still shows a little rumpling from when they were loose. One top crack repaired, straight up from pickguard. Two top cracks on extreme bass side of lower bout. One side crack repaired adjacent to the two top cracks. Another two inch side crack off to treble side of end pin. No back cracks, no neck cracks.1 3/4" width at nut. All-original lacquer. 
     Mahogany back, sides and neck. Bound Sitka top. Rosewood fretboard with Pearl dot inlays. Original nut and truss rod cover. Original 3 on a plate tuners.
     Great sounding guitar with true old-time Gibson tone!

     VG Condition. A few scratches and dents here and there on the top. Normal wear and tear on the back and sides. There is a little lacquer checking but no cracks. Neck has been reset and re-fretted and is in nice condition, there is very little player wear. 
     All Mahogany body and neck with Rosewood fingerboard. Single tortoise-shell binding on top. "Screw-in" pickguard. Radiused fret board with Pearl dot inlays. Ebony peghead veneer with "Gibson" logo. Original Gibson tuners.
     This is a very nice guitar with original Gibson tone at a generous price.
    

One of the rarest of the small-body Gibson acoustic guitars! Mahogany back, sides and neck, Spruce top. These guitars sound great, having very good construction and true X-bracing design. This one is pretty remarkable to be in this nice condition. NO TOP CRACKS. There are 4 repaired back cracks, but in person they seem less important overall. Original tuners, pickguard and bridge.  The original faux alligator chipboard case is in good shape. This guitar is set up to play and has no problems.

     Excellent condition. One repaired 2" side crack and one filled small jack hole 2" from endpin.
     This guitar is in very nice condition, is all set-up to play well, and has original parts.
     Mahogany back, sides, and neck. Sunburst Spruce top. Rosewood fingerboard with paralellogram inlays. Original Kluson tuners. Multiple 7-ply bindings around top edge, with 5-ply bindings around back edge of body. Bound fingerboard. Original Rosewood bridge and pickguard.
     This is just one of those guitars that was never played a lot. The lacquer has lots of lustre and life to it. Has a deep woody resonance without the bass overpowering. All set-up to play with recent neck reset and fret job.

     New Condition. This is an unscathed example of Jim Goodall's "traditional" Mahogany Baritone guitar.
     Choice figured Honduran Mahogany back, sides and neck. Beautiful Sitka Spruce top with heavy "Bearclaw" figure. Ebony fingerboard, bridge and peghead overlay. Nickel Waverly open-back tuners with ivoroid buttons. Wooden outer bindings on top, back, fingerboard and headstock. Multiple lines of binding showing on body top and back and around peghead. Wooden herringbone purfling around inside of top edge and around soundhole rosette. Greven "tor-tis" pickguard. Boxwood bridge pins and endpin, with abalone dot.
     1 3/4" width at nut. 28" scale length. Multiple bound Maple heel cap with strap button installed. Multiple bound Maple end wedge. Wooden marquetry back strip along center of back. Ebony armrest installed along edge of bass side of lower bout.
     Beautiful tone. Excellent depth, but even more importantly, excellent balance.

     Exc(-) refinished condition. Maple back and sides, Spruce top, Mahogany neck. Recent fret job and fingerboard milled. Body refinished blonde... neck appears to have original finish.
     Body bound with cream bindings on top and back. Inside f-holes are painted white. Tailpiece, bridge and tuners are original. Non-original pickguard installed with floating D'Armand pickup at neck position, as well as old clear lucite tone and volume knobs in pickguard. This pick-up and pickguard arrangement is also wired into the endpin jack with an in-line jack for easy removal of entire pickguard/pick-up.
     Our local musician friend, John Rosett, remarks that it has a bright acoustic sound that "cuts", and an excellent full and warm sound when plugged in. This guitar is in fine playing condition.

     Exc(+) condition. No problems, no repairs. Minimal signs of playing on frets. Some slight lines of finish checks on the top and slight wear on back of neck.
     Indian Rosewood back and sides. Mahogany neck. Select Sitka Spruce top. Ebony fingerboard and bridge. Guild logo and crown inlaid in headstock. Medium pearl dots inlaid in fingerboard. Body has excellent bindings - 7-ply around top edge, 5-ply around back edge. Cream heelcap. Wooden marquetry back strip along center of back and endpin area. Strap button professionally installed in neck heel.
     This is a great guitar. It is in real nice condition and also plays great and sounds great. Lots of presence. The case is a nice Gibson hardshell from the late '70's or early '80's.

     Excellent condition. Really great shape except for a few lines of finish checking. There is one dent in the neck, but in a position where it won't be felt.
     Sitka Spruce top. Rosewood back and sides, Mahogany neck. Multiple bindings on top and back, and center seam inlay in back. Ebony bridge and fretboard with Pearl dot inlays. Ebony peghead overlay with "Guild" logo inlaid in Pearl. Gold Grover tuners. 1 11/16" width at nut.
     This is a fine guitar in really good shape. It is set up well and plays great.

     VG(+) Condition. The "G" designates the guitar is a "Jumbo Dreadnaut" guitar... It is shaped like a Dreadnaut, but 1 1/8" wider and about 1" longer than a standard Guild D size. The scale length is 26.4"
     One well-repaired top crack. A few knicks here and there, normal finish cracking. Player wear through finish on the Spruce top, above and below pickguard and around soundhole area. Back and sides have routine checks and dings. There is a little fret wear and a couple of marks on the back of the neck.
     Sitka Spruce top. Mahogany back, sides and neck. Top is multiple bound, back has single binding. Radiused Rosewood fretboard with Pearl dot inlays. Nickel Guild tuners made by Schaller.
     The guitar is all set-up and ready to play. No problems. Very good sound.

     Exc(-) condition. Fairly early Rosewood Jumbo from the noted luthier, Michael Gurian. Has 2 parallel repaired cracks along center seam of top, between bridge and lower edge of top, and 2 repaired cracks in Rosewood back.
     Ebony fingerboard w/ no inlays. Rosewood bridge. 1 5/8" width at nut, 25 1/2" scale length. Maple wooden outer body bindings, w/ half herringbone wooden purfling along top edge. Firestripe pickguard. Nickel Schaller tuners. Indian Rosewood back and sides, beautiful Sitka Spruce top.
     This is a fine sounding Gurian. It has more "cut" and "punch" than many Gurians, and would be just as good for flatpicking as for fingerpicking. Very expressive and very full.

     Exc(+) condition. Body size is smaller than a Gibson J-200, but does have similar depth. Very nicely taken care of through the years. Just has polite finish checking and light evidence of handling. The worst mark on the guitar is a chip in the top of peghead above G-tuner. Even the frets are in very nice condition.
     Rosewood back and sides. The Rosewood appears to me to be Cambodian Rosewood, instead of Indian Rosewood, as the wood has a chocolate-brown hue instead of the purplish hues of Indian Rosewood.
     Very high grade select Spruce top. Ebony blank fingerboard. Brazilian Rosewood peghead overlay. Rosewood bridge. Bone nut and saddle. Wooden Maple body bindings with wooden half-herringbone purfling around inside of top edge. Herringbone soundhole rosette. Nickel Schaller tuners. Rosewood heelcap. Multiple wood purfling strip in center of back. Maple end wedge at endpin area. Strap button corectly installed in neck heel. 25 1/2" scale length. 1 3/4" width at nut.
     This is a great guitar. The attack is quick and sure, with great tonal expression and depth right away. Works as well with bare fingers as it does with a pick. You and I both know that this guitar should be priced around $3000 or more in today's market. But Gurian guitars have always been a "sleeper" in the used and vintage market. Gurian made too few guitars (around 2000 or so), to be a household name. Usually the people who know them were active buying and playing guitars in the 1970's when these were being made and were aware of them.
     This guitar is set-up very well and plays great. It has a very nice mature sound that is balance well, it is very "open" sounding, and has good presence.

     Exc(++) condition. There is one little ding on the top of the guitar, and light button scratches on the back. Otherwise the guitar is in perfect shape. No fret wear!
     12-fret, slotted headstock. Nice Englemann Spruce top. Indian Rosewood back and sides and Mahogany neck. Top, back and neck are multiple bound, with Indian Rosewood outer binding. Herringbone soundhole rosette and center seam in back. Ebony fingerboard with pearl diamond inlays on 3rd, 5th and 7th frets. Slotted headstock with Indian Rosewood peghead veneer. Nickel Waverly tuners with Ivoroid buttons. 24.9" scale length. 1 3/4" width at nut. 2 5/16" spacing at bridge pins.
     This is a very fine sounding guitar in great shape. It is very lively and resonates in your hands as you play it.

     Exceptional condition. Only has bare hint of strings touching the frets and no dings, dents or scratches.
     Sunburst slope shoulder guitar with long scale and 1 3/4" width at nut. Built in the tradition of pre-war "Advanced Jumbo" guitars, it has advanced scalloped hand-tuned bracing.
     Master grade quarter-sawn old growth Brazilian Rosewood back and sides and Adirondack Red Spruce top. Ebony fingerboard and peghead overlay, with beautiful delicate handcut abalone inlay pattern and JWalker logo in peghead. Ebony bridge with 'cut through' saddle. Ivory saddle and nut. Ebony pins. Very nice "late '30's" style sunburst. Firestripe pickguard. Finely crafted wooden bindings throughout, with multiple bindings on top edge with outside flamed Maple layer, flamed Maple single binding on back. The fingerboard binding can hardly be described, as Mr Walker "insets" the outer flamed Maple strip very cleverly into the side of the fingerboard without the Maple showing at top of fingerboard. Peghead is multiple bound with black outer bindings. Abalone soundhole rosette.
     This is a very powerful guitar... Lots of presence and power, with excellent balance, attack, sustain and projection. It is set-up very well and needs nothing.
     * Remember - John Walker was a key player when Gibson re-issued the "AJ" guitar in 1990. I would suggest that he may have more experience with building "AJ" style guitars than just about anyone.

     New.
    Very high-grade Adirondack top and Brazilian Rosewood back and sides. Maple bound on top, back and peghead. Mahogany neck with radiused Ebony fingerboard and pearl dot inlays. Nickel Waverly tuners.

     New (Demo). No signs of any careless handling or player wear on the instrument. This guitar has two very polite lines of finish checking that are difficult to spot.
     Extremely highly figured Maple back and sides. Mahogany neck. High grade Englemann Spruce top. Beautiful blonde finish. Multiple ivoroid binding around top and back edge, with black line showing on top, back and sides. Headstock and fingerboard are bound with ivoroid.  Ebony fingerboard, peghead overlay and bridge. Abalone JWalker logo inlaid in headstock. Abalone cut diamond inlays in fingerboard. Unbleached bone nut. Fossile ivory 
"thru-saddle". Boxwood bridge pins and endpin. Complex "zipper" wooden marquetry back strip in center of back. Gold Waverly pre-war style open-back tuners. 1 3/4" width at nut. 2 5/16" pin spacing at bridge.
     This is a uniquely designed parlor guitar. 9 1/2" width at upper bout, 13 1/2" width at lower bout. 3 3/4" depth at upper bout, 4 3/4" at lower bout. Typical of guitars hand made by John Walker, it has a very nice 'pop' at the attack of each note and great balance.
     This guitar would cost six or eight hundred dollars more if John Walker hadn't deemed it to be sold at a discount because he took it to shows for product display. It would be an excellent choice for anyone who loves beautiful looking guitars that also sound beautiful.

     New. Sunburst. 1 3/4" width at nut. Very nice Honduran Mahogany back, sides and neck. Adirondack Red Spruce top. Ebony fingerboard, bridge and peghead overlay. Small pearl dot inlays in fingerboard. Ivoroid bindings on top and back of body and along fingerboard. Nickel Waverly pre-war style open-back tuners with metal buttons. Bone nut and intonated saddle.
     The sunburst is very nice. John Walker has earned a solid reputation for his fine sunburst finish. The playability is very good and the sound is great!
     * This instrument is a new one that John Walker has kept in his shop as an "example" guitar to show to people coming to his shop. Today the price is a few hundred higher for one of these, so take advantage of a great one at "yesterday's" pricing.

     New. Mahogany back, sides and neck, with select Sitka Spruce top. Shape and size of guitar are similar to a "J-185" spec. 25.4" scale length. Rosewood fingerboard and bridge. Nickel Waverly tuners with ivoroid buttons. Body and fingerboard bound with single ivoroid binding. Small pearl dot inlays in fingerboard. Fingerboard is radiused similar to Gibson radius.
     The coloration of the guitar is very nice. The Mahogany has the perfect brown shade. Back of neck shows the shading John is getting known for, especially for the gradated "bee-sting" at bottom of back of peghead.
     This is a very fine sounding guitar - quick, sure response with great depth and balance and projection.
    

     New.
     Adirondack top with nice sunburst finish. Honduran Mahogany back and sides. Top and back are both single bound with Ivoroid. Mahogany neck with radiused Ebony fretboard and pearl dot inlays. Nickel Waverly tuners with Ivoroid buttons. Ebony peghead overlay with JWalker logo inlaid in pearl. Ebony bridge and pins, firestripe pickguard.
     Huge depth and presence in the lows and highs. This guitar has a very nice tone. The bass is big and bouncy, and the highs are crystal clear.

     New. Sunburst traditional slope-shoulder guitar. 1 3/4" width at nut. Highly select Mahogany back, sides and neck. Very nice Adirondack Red Spruce top. Ebony fingerboard, bridge and peghead overlay. Nickel Waverly pre-war style tuners with Ivoroid buttons. Small pearl dot inlays in fingerboard. Ivoroid bound body. Traditional fire-striped pickguard. Ivoroid end wedge.
     This is a fine guitar for beauty and for sound. Typical of John Walker guitars, the fit and finish are highest form of hand lutherie.

     Exc(-) Condition. Here we have the first ever guitar that John Walker put his name on. Sure... by the time this guitar was built, John Walker had built many great handmade Gibsons in the Custom Shop and guitars for Stephen Anderson, but this is the first that was named a "Walker".
     There are areas of stray pickmarks on the top, and a few dings as well, but nothing major at all. The back and sides are really clean. Neck is in great condition with no fret wear.
     Adirondack top with single tortoise-shell binding. Curly Maple back and sides have really great figure. The whole guitar body is finished with hand-rubbed shellac. Mahogany neck with blank Ebony radiused fretboard. Ebony peghead overlay with "JWalker" inlaid in Pearl. Gibson tuners with black buttons. Fire-stripe pickguard. Comes with original composite straight-thru saddle on the guitar, as well as a new Walrus Ivory saddle in the case.
     This is a really phenomenal sounding guitar. This is one from the personal collection of Greg Boyd, and we have been changing our minds about putting it up for months because the sound is so good. The tone is all there, great lows and highs from the first fret to the last.
     John Walker is one of those rare Luthiers who can use Maple to it's full potential. Many Maple guitars can sound quick, but also thin. Walker's Maple guitars let you hear the Maple as a "special treat", where you can "feel" the mids and lows bouncing deep off the back and the highs have a beautiful "pop" attack and clear, sweet tones.
     This guitar would cost over $5000 with the spectacular Maple and the Shellac finish...
     There is no serial number, because this guitar was made before SN 001.
     Set-up is great, action is great, no problems, no repairs.
     * I wish someone would remind me why I am selling this guitar... Oh yeah, i remember now... taxes, bills, more instruments to buy for the store, etc...

     Excellent condition. This is a very well made Flamenco guitar by Jose' De La Mora in Los Angeles, in 1960. Cypress guitar with Spruce top. Multiple wood bindings on top, back and sides of body. Original Ebony bridge with Ivory at top rear of bridge and Ivory saddle. Original Ivory nut.
     Guitar shows moderate evidence of prior playing wear, but has no problems. One old back crack repaired professionally. Ebony fingerboard. Original tuners in good shape. Frets have been milled but not properly dressed and polished at this time.
     The sound is quite good... great balance, great attack and lots of expression.

Highly figured Maple back, sides and neck with Carpathian Spruce top. Pull out all the stops! The Maple is so gorgeous! 9-ply top bindings with 7-ply back bindings. Ebony fingerboard with Brazilian Rosewood bridge. Full sunburst - top, back, sides and back of neck. Neck is 2-pc Maple with stringer down the middle. Gold Waverly tuners. Bone saddle and nut with bone bridge pins and endpin. This guitar is available to purchase now. 

     Exc(+) condition. Nicely figured Koa back and sides with a lot of rich character and figure. Excellent Adirondack Red Spruce top - again, with a lot of grain character. Both woods complement each other with Mr Kopp's color scheme. The golden brown of the Koa works very well with the blonde top, visually. Guitar shows some slight player wear. Small area of finger wear between pickguard and bridge. Frets show minor wear. There are a few small, insignificant marks here and there, but nothing to get upset about.
     1 3/4" width at nut, 2 1/4" pin spacing at bridge. 24 3/4" scale length. Koa back and sides. Red Spruce top. Ebony fingerboard and bridge. Medium pearl dot inlays in fingerboard. Ivoroid bindings around top and back of body, with top having multiple black/ivo/black purfling. Mahogany neck, with Ebony peghead overlay and Waverly tuners. Strap button installed professionally on heel. Firestripe pick guard.
     This is a very nice looking guitar that is set-up very well - it plays and sounds great.

     New.
     Sunburst Adirondack Spruce top. Mahogany back, sides and neck. Top and back are single bound with Ivoroid. Radiused Rosewood fretboard with pearl dot inlays. Rosewood bridge. Nickel Waverly tuners with Ivoroid buttons. Kopp logo inlaid in pearl in the peghead. Firestripe pickguard.
     Very nice sound. Balanced, with a nice crisp attack. Great volume and projection. We've already had several experienced players who own old original J-45's and SJ's, etc, who are amazed at how "open" and "mature" this guitar sounds.

     Exc. Condition. This is the only blonde-top cutaway Trail Boss that Kopp has made. Top is very clean, but has several polite touch marks. The back, sides and neck are all in really great shape. No marks, no fret wear.
     Sitka Spruce top. Mahogany back, sides and neck. Top has 6-ply Ivoroid binding. Back has 4-ply Ivoroid binding. Neck and peghhead have single Ivoroid binding. Radiused Gabon Ebony fingerboard with small Pearl dot inlays. Brazilian Rosewood bridge. Nickel Waverly tuners.
     1 3/4" width at nut. 25 1/2" scale length. 12-fret neck joint.
     This guitar has a huge low end with good treble and mid-range balance. Great open tone for finger-picking. Moving the 12-fret joint spaces the bridge further away from the soundhole 1 3/8 inches to allow for a different timbre in the attack which is very rich and satisfying. This is a very nice, low price for such a fine, hand-made guitar. Leo Kottke has owned 3 Kopp Trail Boss guitars for several years now and there are some You Tube videos of him playing them.

     VG(+) Condition. The top has lacquer checking, a handful of dents and dings and one repaired crack. Sides have some scrapes and two repaired cracks. The back has lacquer checking and three repaired cracks. The neck has a sizeable area where finish has been rubbed off and a few other marks. Neck has been recently reset and the frets have been milled.
     All Mahogany body. Radiused Rosewood fretboard with Ivoroid dot inlays. Rosewood bridge. All-original parts.
     Great sound. Nice, crisp attack with a solid low end. This guitar is fun to play. It's set up great for fingerpicking, and the sound is clear and loud.

     Exceptional original condition. The top has a few very tiny touch marks, and shows polite lacquer checking. The back and sides just have a few small marks and slight lacquer checking. There are two very small side cracks that have been professionally repaired. The neck is in great original shape with just a few small marks. Bar frets are in great shape, peghead is really clean. Tuners are in exceptionally fine original condition.
     Adirondack Red Spruce top. Mahogany back, sides and neck. Top is multiple bound, back has single wood binding. Radiused Ebony fretboard with graduated Abalone dot inlays. Original pickguard and "belly bridge". Slotted peghead with original tuners and "CF Martin & Co" stamped on the back.
     Excellent sound, excellent condition. This is a beautiful original Martin. These guitars represent the most desirable of all the 12-fret, 00-18's. A good time to buy is right now, when this one is priced 15% or 20% below their pre-recession price.

     Excellent (restored, converted) condition. Has a few minor marks on top and back and one lacquer chip in back of neck.
     Originally was an arch top guitar with flat back, built on the "000" or "OM" form at Martin in early 1930's. Many players have noticed that the original archtop configurations didn't have the right tonality for them. Starting in mid to late 1960's, luthiers saw the possibility of putting a good flat top on these C-2's, to convert them into great sounding flat tops. Even by the mid-'70's they were talked about as a very viable way to get an 'older guitar sound' by doing these conversions.
     Beautiful quarter-sawn Brazilian Rosewood back and sides. Full neck profile - deep rounded "V" that feels fine. The fingerboards have just a bit more radius in them than Martin uses in their flat tops today, but it is a great feeling fingerboard. Converted in about 8 years ago by Steve Helgeson, who did a very fine job with the symmetry of neck placement, angle of neck set, bridge, top, pickguard. As part of the restoration, Mr Helgeson masterfully refinished the back, sides and neck.
     The finish work is excellent - if you have to refinish an old guitar, this is what they should look like. Helgeson also chose a very nice Spruce top for the job and completed the conversion by inlaying 'style 42' abalone trim around top edge purfling and soundhole rosette. Newer Gabon Ebony fingerboard with elaborate 'snowflakes and cat-eyes' abalone inlay. Ivoroid bindings along fingerboard and around peghead to match outer body bindings. Greven tortoise pickguard. Gabon Ebony bridge. Bridge pins appear original, with large flat head with large inlaid dot. Tuners are Gold Waverly pre-war style open-backs.
     24.9" scale length. 1 3/4" width at nut. 2 1/4" pin spacing in bridge.
     This is a remarkable guitar for tone and playability. The set-up is great.

     Like New condition. No dents, dings or fret wear.
     Carpathian Spruce top. Madagascar Rosewood back and sides with 3-piece "wave" design on back. Top is bound with Herringbone and Ivoroid. Back has multiple Ivoroid bindings and fretboard has single binding. Mahogany neck with dovetail joint. Radiused Ebony fingerboard with graduated abalone inlays. Nickel Waverly tuners. Golden era style scalloped X bracing. 1 11/16" width at nut.
     Be sure to check out the artistic 3-pc wave design in the back - it is very unique and very strikingly beautiful.
     Very strong, resonant sound. This guitar came into us in almost un-played condition. After only a few days here it is opening up very fast!
     These guitars listed for $6999 when new in 2011. They were only made as a special custom shop limited offering of around 75 guitars.

      VG(+) condition.  Only a few cosmetic rubs in the finish, and some dings here and there. One extra strap-button hole beside the neck heel.
     All solid wood construction, with select Mahogany back, sides and neck. Top appears to be select Englemann Spruce. Rosewood fingerboard, bridge, peghead overlay and heel cap. Small Abalone "cut-diamonds" inlaid in fingerboard and bridge. Tortoise-celluloid bindings on top and back of body. Wooden herringbone back strip and sounhole rosette. Tuners replaced with excellent Kluson copies, most likely by Gotoh. Original frets with minor denting. Dovetail neck joint.
     The D-16's made prior to the mid-90's follow pre-war examples with advanced scalloped bracing. This is a great guitar, better sounding than a lot of the Martin's of that era and new Martins as well.

     New Condition. Never been owned or used. This guitar still has all hang tags, etc. It was brought to us as a new guitar and traded for other items. NO wear, no dings, dents, scratches, etc.
     Mahogany back, sides and neck. Select Spruce top. Rosewood peghead overlay. Ebony fingerboard and bridge and heelcap. Black bindings around top and back of body. Herringbone soundhole rosette. Nickel tuners. Matte finish except for glossy nitro-cellulose on Spruce top.
     Look... we've had lots of D-16's come through here since early 1990's. This is really one of the very best. It has a great response that is quick and sure. Very good balance. I really think you'd have to play through quite a few more expensive Martins (D-18, D-18V, etc), to find one that is as good as this one. I rate it "exceptional tone".
     Comes with original paperwork and hang tags.

     Almost New Condition. Only has a couple of tiny touchmarks. No wear, no problems, no repairs.
     Mahogany back, sides and neck. Adirondack Red Spruce top. Ebony fingerboard and bridge. Appointments like a D-18, with multiple wood bindings around the top with tortoise back binding. 1 3/4" width at nut. 25.4" scale length. 2 5/16" pin-to-pin spacing at bridge. Vintage rounded "Vee" profile neck.
     Small graduated dot inlays in fingerboard. Intonated saddle. Aging toner on top. Tortoise pickguard. Nickel tuners.
     This is a very nice guitar in great condition. The sound is big and full.

     Adirondack Red Spruce top. Mahogany back and sides. Professional body overspray by Martin. Mahogany neck with radiussed Ebony fretboard.
     This guitar sounds like a Martin should. Thunderous bass and cutting highs, you'll hear this one from down the street.
     *Call for additional details.

     Exc(-) condition. This guitar has professionally refinished back and sides. The refinish appears to have been done some years ago by a skilled finisher... Except for the color being one shade lighter than original, you might not notice that it was done, as it has just enough wear on it to look 'correct'. Newer copy Rosewood bridge. Newer "correct looking" pickguard. Recent professional neck re-set, thin Maple bridgeplate replaced, and fret job. Some player wear on top and some stray pick marks. Small dings around body and neck. One strap button hole filled in side of neck heel. Strap button currently attached to bottom of heel cap.
     Top has one repaired pickguard crack on outside of pickguard. No back cracks or side cracks.
     Cuban Mahogany back, sides and neck. Brazilian Rosewood fingerboard. Rosewood bridge. Sitka Spruce top.
     This is a very fine playing and sounding guitar. It has a very quick and positive attack with lots of tonal presence and projection. Any and all maintenance work has already been done by professional luthiers.

     Exc(-) condition. Un-cracked top and back. Several repairs on sides. One small Mahogany patch in treble side at upper bout. All original finish, with plenty of old finish checking on the top. Original Brazilian Rosewood fingerboard and bridge. Full "V" neck profile. Original Kluson DeLuxe tuners.
     This is a very good D-18, with lots of snap and power. Recently set-up and has very good playability.

     Exc(++) condition. One owner guitar. Hardly played. This guitar has a few random marks on the top. There are two typical pickguard cracks. Both have been professionally repaired and are hardly noticeable. Original lacquer is in great condition. No strap button ever installed.
     Spruce top, Mahogany back, sides and neck. Multiple tortoise bindings on top and singe tortoise binding on back. Brazilian Rosewood, radiused fingerboard with graduated pearl dot inlays. Original Kluson "Deluxe" tuners. Brazilian Rosewood peghead overlay and bridge.
     Huge sound. Wide open, but with a strong attack. Guitar has just returned from shop getting a professional neck reset & new Brazilian Rosewood bridge. and plays and sounds great. Comes with the original hardshell case that is also in fine condition.

     Exc(-) condition. Mostly all original parts, although original black plastic pickguard has been replaced with a more recent vintage style celluloid tortoise. Grover rotomatic tuners have been changed to newer Kluson vintage copy tuners. Never had a strap button in neck heel, never had a neck re-set.
     Appears to be an Adirondack Red Spruce top. Possibly new nut, frets and saddle. Finish checking on top. Some dings in the top. A couple of side cracks have been repaired very well. Uncracked top and back.
     Mahogany back and sides, Spruce top. Rosewood fingerboard and bridge. Dot inlays in fingerboard.
     This is a good guitar in nice shape with good set-up. Quick attack and good sound.

     VG(+) Condition. Frets and fingerboard are in very good condition with minor signs of fret wear. New faithful copy Rosewood bridge. Original black pickguard, re-attached. Two top cracks- one on each side of top near binding at the waists. Back of neck shows some very light dents and one wear point into finish behind 7th fret. Strap button installed on side of heel. Errant strap button hole filled in heel cap. Several back cracks repaired fine, but some non-professional treatment of lacquer is shown (could use professional lacquer touch-up and rebuffing). Several side cracks repaired. Jack hole filled in lower treble bout. Recent setup.
     Mahogany back, sides and neck. Englemann spruce top. Rosewood fingerboard, bridge and peghead overlay. Pearl dot position markers in fingerboard. Original Grover "Rotomatic" tuners.
     Full sound with good balance.

     Exc.(+) Condition. This guitar is pretty close to "un-played" condition. There are just a couple of light random scratches and a few tiny dings in the top, but for the most part it is very clean. The back and sides also have just a couple of random little touches and dings, but nothing of great concern. Frets and neck are in great shape. No strap button installed.
     Adirondack top with nice traditional sunburst finish. Mahogany back, sides and neck. Top is multiple bound, back has single binding. Radiused Ebony fingerboard w/ graduated Abalone dot inlays. Rosewood peghead overlay, Ebony bridge and pins. NIckel Waverly open-back tuners. No strap button installed on heel. 1 3/4" width at nut, 2 5/16" pin spacing at bridge.
     Very nice, open sound, especially for such a new guitar. Big presence and commanding tone. This guitar is probably the best used D-18GE we've ever had... It is set up quite well, has hardly been played, and sounds great.
     * This model lists for over $4800 as a new guitar, selling for $3699 at the discount price... This one is pretty close to new condition and sounds like the one you'd buy after trying out a dozen of them.
 

     New condition. No fret wear, no scratches, no dings, no strap button on heel - this one is really great original condition!
     Choice mahogany back, sides and neck. High-grade Sitka Spruce top with lots of "silk" figure. Ebony fingerboard and bridge. Straight-through intonated saddle. Modified "V" neck profile. Advanced scalloped bracing. Small maple bridge plate. Gotoh pre-war style open-back tuners. Top has aging toner. Multiple tortoise binding around top edge. Single tortoise back binding. Multiple wood soundhole rosette.
     This is a very good flatpicking guitar. The attack is fast, "sure" and crisp. It has good balance and tonal depth.

     VG(+) Condition. There are several dings in the top, belt buckle scratches in the back and some nicks on the side. The neck and fretboard are both in great shape.
     Select Sitka Spruce top, Mahogany back and sides. Top is multiple bound with outer tortoise binding. Back has single tortoise binding. Mahogany neck, Ebony fingerboard with graduated Abalone dot inlays. Martin open-back tuners.
     Sound is wide open with lots of concentrated power.
 

     Excellent condition. All original finish. One 4" back crack repaired. Moderate player wear and some random dings. Bridge professionally replaced with faithful vintage copy. Neck recently professionally re-set. New frets. There is one other very small repair I'll tell you about below.
     Quarter-sawn Brazilian Rosewood back and sides. Cuban Mahogany neck. Adirondack Red Spruce top. Original Ebony fretboard. Original open-back tuners. Original pickguard.
     All original braces. Original small Maple bridgeplate.
    There is one minor repair of the top binding, just up from end pin. This repair is very slight, but just enough to notice if you look directly at it. It appears that bass side of binding around top came loose for about one inch, and when glued back the outer ivoroid stood out a bit thicker that it's couterpart directly on other side of center line. To even it out, the luthier slightly scraped an inch of the outer ivoroid binding to make it smoothly match the opposite side.
     This is a very fine example of a late-issue 'Herringbone' D-28. It has never been gelded. It delivers lots of power, with great tonality.

     VG(+) Condition. There are a couple small marks on the top, including some pick marks below the strings. There's a belt buckle mark, and a couple of insignificant dings on the back and sides. There are no cracks, fixed or open. There is a little wear on the neck, and marks on the back of the peghead from the original tuners. Just came out of the shop with new frets and a neck reset. The original bridge and pins have also been recently replaced.
     Select Spruce top. Fine Brazilian Rosewood back and sides. 6-ply binding on top of body, 3-ply binding on back. Soundhole rosette is multiple bound. Mahogany neck, Ebony fretboard with graduated Pearl dot inlays. Newer Schaller tuners installed, but originals are in the case. Transducer pickup installed with 1/8" endpin in output jack.
     This is a very, very good sounding guitar. A good one for any player or collector, it's in solid shape and has great tone and playability. 

     VG(+) Condition. This is quite a nice guitar for playing. There are one or two cosmetic things that have us listing this guitar as "VG+" instead of "Exc-" condition. The top has two repaired cracks and routine dings. There are two areas on the back where finish has been rubbed away and some rubbed-off areas on the sides. One repaired side crack. The neck has a little finish worn away and a couple of light dings. Some wear on the frets. Previous strap button hole filled on bass side near heel.
     Sitka Spruce top, fine quarter-sawn Brazilian Rosewood back and sides. Top and back are both multiple bound. Mahogany neck with radiused Ebony fretboard and graduated pearl dot inlays. Original Grover tuners. "Hot Dot" pickup previously installed with endpin jack. Oxbone endpins.
      Very nice, balanced tone. It has a big bottom end but not so much that the high notes are overpowered. The setup is great, this guitar is a fine player with a lot of "snap."

     Exc(-) condition. There are a couple of well-repaired minor top cracks, and some routine dents, dings and lacquer checking. There is a large area of finsih rubbed away on the back, and some buckle scratches but no cracks. The sides are dinged up a bit, and there is a hole filled on the bass side where a strap button used to be. All in all its pretty great condition, with no cracks in the Brazilian Rosewood back and sides.
     Spruce top, Rosewood back and sides. Top and back both have multiple Ivoroid bindings. Mahogany neck, radiused Ebony fingerboard with graduated pearl dot inlays. Original Nickel Grover tuners. Comes with pickup and endpin jack installed.
     Big sound that is powerful and balanced.

     VG(+) Condition. Owned for years by a semi-professional folk singer. There is moderate wear and random dings on the top. Recent bone nut. Recent professional fret milling. Fingerboard shows no pits. No strap button ever installed. Back has had a few polite cracks, call for more details. No cracks in sides. Spruce top shows one minor inch-long crack along bridge on center seam, and several random dings. Braces were scalloped years ago.
     Brazilian Rosewood back and sides. Mahogany neck. Beautiful, wide-grained spruce top. Ebony fingerboard and replaced, over-sized Martin Ebony bridge. Black pickguard. Brazilian Rosewood peghead overlay. Original patent pend. period Grover tuners. Binding on back of guitar was re-glued professionally.
     This guitar has been in use, but not abused for many years, and has recently gone through very good professional setup.

     VG condition. There are several marks on the top of the guitar, including pick marks near the strings. The sides and back show normal signs of wear including two spots where the finish is worn through on the back. The front and back of the guitar have lacquer checking. There is a mark on the side where an old end pin was taken out and plugged. The neck is in good shape. Little fret wear and player marks on the back of the neck. No cracks on the guitar, everything is solid on this one.
     Sitka Spruce top, Rosewood back and sides. 6-ply binding on the top, 3-ply on the back with multiple bound soundhole rosette. Mahogany neck and Ebony fretboard. Graduated pearl dot inlays. Nickel Grover tuners, and strap button correctly installed in heel.
     This is a good sounding, good playing guitar.

     Exc(-) condition. Indian Rosewood back and sides. Honduran Mahogany neck. Adirondack Red Spruce top. There is some light-to-moderate player wear around soundhole and at lower end of pickguard. There are a couple of random dings on the top. Original nut, bridge, tuners, pickguard, case, bridge pins, etc. Original saddle is in the case, with newer intonated bone saddle installed in bridge.
     A few minor dings here and there, overall in great shape. All-original hardware with replacement bone saddle
     Unusually well-developed sound with no mushy bass. Very open sounding D-28 for this era. Punchy attack with great tone.
     * I phoned Martin about the guitar's top. They say the records do not show an official write-up for a change to "Red Spruce" top, but that the guitar build order does show a 'grade change' order for the top. The person at Martin speculated that it could've received a Red Spruce top as an 'up-grade' to the standard tops (Sitka), that the D-28's usually had.

     Exc(+) Condition. There are hardly any marks on this guitar at all. The top has a couple of insignificant dings and just a couple lines of lacquer checking. There is one ding on the sides on the treble bout, the back is very clean. The neck and peghead are in fantastic shape, no marks at all. There is a very small amount of fret wear on a couple of the frets.
     Spruce top, Indian Rosewood back and sides. Top and back are multiple bound. Back has decorative center seam inlay. Mahogany neck. Ebony bridge and radiused fingerboard with graduated Pearl dot inlays. Nickel Grover tuners.
     Big, meaty sound. Great action, great shape.

     Exc(-) condition. Uncracked. Some player wear. A few stray marks on the top, and some belt buckle scars on back of guitar.
     Indian Rosewood back and sides. Sitka Spruce top. Mahogany neck. Ebony fingerboard and bridge. Black pickguard. Schaller tuners.
     This guitar is set-up very well and sounds very good.
     Please excuse us for not having photos of this guitar, but it sold while it was out in the shop being set-up.
    

     VG(+) condition. One repaired top crack near binding at widest point of lower bout, treble side. Recent professional fret milling. Guitar shows signs of handling and playing, with small dings and lacquer chips.
     Indian Rosewood back and sides, Mahogany neck and Sitka Spruce top. Multiple bound top and back of body. Matching heel cap. Wooden decorative marquetry strip along back center seam. Graduated dot inlays in Ebony fingerboard.

     Nearly New condition. Yes, it was pre-owned, but only for a little while... and certainly not abused during it's period of ownership. NO wear, NO dings.
     Rosewood back and sides, with Mahogany neck and select Sitka Spruce top. Multiple bindings around top, back and sides of the body. Single white binding along fingerboard. Multiple binding on heelcap. Multiple bound soundhole rosette. Nickel Grover tuners. Strap button correctly installed in neck heel.
     This guitar is a real winner for sound! It has a very crisp, strong attack, with full voice. Balance is very good. You'd have to play through quite a few newer martins to find one with the soundpower of this one... it has a fine sound for a flatpicker.

      Exc(-) condition. No cracks. Neck has been reset. Recent fret job in fine condition. Typical finish checking on the top.
     Indian Rosewood back and sides, with back being 3-pc Rosewood with multiple purfling strips along outside of center wedge. Ebony fingerboard and bridge. Pearl dot inlays in fingerboard. Bone saddle and nut. Original Schaller nickel tuners. Black pickguard.
     Multiple Ivoroid/Black/Ivoroid bindings - Top edge of body has 6-ply binding, back edge shows 3-ply, sides show 6-ply at top and bottom of body. Fingerboard bound with single ivoroid. Heel cap has 6-ply. Strap button professionally installed in heel at correct position.

     Exc(-) Condition. Top has a few random knicks and pick marks with a small amount of lacquer checking, as well as the normal Pickguard crack under the B string. The back has old repair on the treble side by the binding. There is also one repaired crack towards the center of the back and a hole from a former strap button near the heelcap... new strap button installed professionally in the heel. The sides are in great shape with just a few marks here and there. The back of the neck has a couple of dings around the fifth fret, there is a small amount of player wear on the fretboard.
     Spruce top (perhaps Engelmann), 3-Piece Rosewood back and Rosewood sides. Top, back, sides and heel cap are multiple bound. Neck is single bound. Mahogany neck, Ebony fingerboard and bridge. Graduated Pearl dot inlays in fretboard. Nickel Grover tuners. LR Baggs iBeam pickup professionally installed with end pin jack.
     The sound is very good, strong and clear.

     VG+ condition. This is a very nice guitar with a couple of repaired top cracks, but very little player wear. There is finish checking, mainly on the Spruce top. There are a few light mars on the Spruce top. The back and sides and peghead are all very nice with no cracks. Back of neck has some random dings. Top has 2 repaired cracks: Center seam reglued from bridge to binding, "Usual" pickguard crack repaired (under B string).
     Rosewood back and sides, Select Sitka Spruce top, Mahogany neck, and Ebony fingerboard and bridge. Gold Grover Rotomatics. Black pickguard. Abalone purflings around top edge of guitar and around soundhole rosette. Hexagon abalone inlays in fingerboard. White multiple bindings on top and back and peghead. Single white binding along fingerboard.
     The Rosewood of this period is usually always stated as "Indian" Rosewood... but this Rosewood is different. It has much different color than the Purple hues of Indian Rosewood, and other different characteristics. It may be Kingwood, a highly regarded Central and South American Rosewood.
     This guitar has just had extensive set-up and intonation corrected by John Joyner, here in Missoula. Typical of many 1970's Martin Dreadnauts, the bridge was originally located by Martin in the factory in a slightly wrong position, so that the saddle was in a place to cause it to NOT intonate correctly. John Joyner made a same-size copy Ebony bridge with saddle located correctly, so the guitar now plays in tune as it was intended to do. Mr Joyner also levelled the fingerboard, and also replaced the original cracked fingerboard binding with new matching binding.

     Exc(+) condition. Some very minor touches on this one. Light scratches on the top and back, but no dents or dings. Fretboard is in great shape.
     Good spruce top, Indian Rosewood back and sides. Top, back, sides, neck and peghead all multiple bound with Ivoroid. Abalone on top binding and soundhole rossette. Center seam inlay on back. Mahogany neck. Radiused Ebony fretboard with Abalone "Snowflake" inlays. Gold Martin tuners, and "Martin" logo inlaid in peghead with Abalone.
     This is a great guitar that is essentially brand new. Crisp sound and great attack.

     Near mint condition. This guitar looks unused.
     Sitka Spruce top. Rosewood back and sides. Top has Herringbone binding. Mahogany neck. Radiused Ebony fretboard with graduated Pearl dot inlays. Newer tortoise-shell pickguard added. Strap button installed correctly in heel.
     This is a nice newer Martin. It was owned by a very careful payer, looks new and has a nice big sound.