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2001 Gibson Advanced Jumbo Handmade Custom by Kevin Kopp Guitar 'Sold' |
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Exc(-) condition. Very high-grade quarter-sawn Brazilian Rosewood back and sides. Adirondack Red Spruce top. Multiple wood bindings on top edge and back of guitar, with mother of pearl purflings on top, back, and center strip in back. End pin wedge is same Rosewood as outer body bindings, and is beautifully mitered-in with the multiple binding strips. Ebony fingerboard is bound with Rosewood. Rosewood bridge. Peghead and fingerboard are inlaid with a very nice engraved pearl pattern. Waverly tuners. Pre-war style 3-color sunburst.
This custom Advanced Jumbo was hand built in its entirety by Kevin Kopp during his last months of working for Gibson, and it shows off its true handmade pedigree when you examine it's exterior, or interior, or just listen to it's superb voice.
There are some small dings on the upper bout of top on bass side, probably from a case latch, or a stray pick mark. The lacquer on the sunburst top shows finish checks all over. Because of the trick of light, at some angles these are not so apparent, while at other angles they appear easily. This guitar sounds absolutely great. w/ OHC |
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c.1965 Gibson B-25 X-Braced Top Guitar 'Sold' |
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Exc(-) condition. Small body X-braced guitar. All original except new vintage repro tuners. Mahogany back, sides, and neck, with Spruce top. Rosewood fingerboard and bridge. Original adjustable bridge has original rosewood saddle. This guitar is pretty nice. It looks great, it feels great, and is a perfect authentic vintage Gibson for a serious starter. Fingerboard width at nut is narrow - about 1 9/16", which makes it perfect for a young player. It has the normal 24 3/4" Gibson "short scale" length. There is one repaired pickguard crack along upper inside edge of pickguard and one small crack repaired in top at treble end of bridge. All original finish does show some checking in large areas, especially in the back.
Again... this is a perfect guitar for a young player. It was owned and used by Greg Boyd's son, Joey, for several years, but now that he is turning 16 his hands require 1 11/16" nut width. w/ OHC |
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c1942 Gibson Banner LG-2 w/ Maple back, sides and neck Guitar 'Sold' |
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Good condition. Several professionally repaired top cracks. One repaired back crack. Heavy signs of wear on body and neck of guitar. The finish is checked and dinged. The finish on the neck is almost completely worn through, but the frets are in great shape. The banner headstock is in good condition, although dinged up a little. Remnants of artwork on the pickguard. |
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1967 Gibson Country Western Guitar 'Sold' |
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Exc(-) condition. Three repaired cracks in the top - one parallel to center seam from bass side of bridge to the lower binding, and two that are along the Spruce grain between soundhole and waist on bass side. Original parts and original finish. Finish shows finish checking throughout. Peghead shows some lacquer chips at edge and some wear from leaning against walls. |
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1966 Gibson Country Western Guitar 'Sold' |
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Exc. Condition. One small professionally repaired top crack on the top. There are a couple marks, but no glaring aesthetic problems. Back shows random marks and 'worm trails'. One top crack repaired at extreme treble side of lower bout on top. Frets are in great shape having been recently milled. Minor lacquer checking, frets are in great shape. |
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2009 Gibson CSR Guitar 'Sold' |
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Exc.(+) Condition. Really clean all around. Just one light touch on the top. |
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c1938 Gibson ES-150 w/ Orig Charlie Christian pickup Guitar 'Sold' |
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VG condition. Lots of player wear all around, and some repairs... but it has original pickup and original finish. |
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1963 Gibson Everly Brothers Guitar 'Sold' |
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Exc(-) condition. All original. No work, no repairs. It is increasingly rare to find these original Everly Brother guitars. Beautiful "concept" guitar from Gibson, with the ebony finish, double tortoise celluloid pickguards, "pinless" bridge with ceramic adjustable saddle, and star inlays in fingerboard and headstock. Brazilian Rosewood fingerboard and bridge. Original "Everly" truss-rod cover.
Original finish is all intact with no overspray. The finish does show prolific finish checking all over. There are 2 top cracks repaired below bridge and one pickguard crack repaired between soundhole and bridge. There are a couple of other "surface checks" in the wood that show in the finish that are not "cracked-thru" wood.
Recent professional fret work, with fingerboard divots filled in first position, then milled. Original tuners, original nut.
This guitar has great recent set-up, with nice moderately low action. It plays very easily and sounds fabulous. It truly has that perfect authentic acoustic rock & roll sound from the '60's. Lots of depth and presence. w/ HC |
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c1940 Gibson HG-00 Original Hawaiian Style Neck Guitar 'Sold' |
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Exc. (+) condition. Spruce top, Mahogany back and sides. Rosewood fingerboard and bridge (Brazilian) Unaltered original Hawaiian style neck, High nut that measures 1 7/8" wide. Replacment "Golden Age" tuners. Original tuners are included with replacment knobs. Comes with the original softshell case that is in fine condition. All the latches work, but one hinge is in need of repair. Truly one of the best examples we've seen. w/ Original SC |
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1986 Gibson Hummingbird Guitar 'Sold' |
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Exc(+) condition. Only has a few minor touch marks here and there and very little fret wear. All original parts - no repairs. |
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1989 Gibson J-200 VS Guitar 'Sold' |
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Exc.(-) Condition. Fullerplast finish. No cracks, no repairs. Just a few lines of finish checking here and there on the top. |
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1990 Gibson J-30 Guitar 'Sold' |
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VG+ condition. This guitar is in nice playing condition. It has some button marks on the back, some moderate fret wear, one nick in center of back of neck, and a very small bubble, or rumple, in the top just below bridge. This small bump has been thoroughly checked out and it is very stable. We tried to take a close-up of the spot, so you could see it, but it is difficult to even get a good photo of it - that's how slight it is... |
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1995 Gibson J-35 Guitar 'Sold' |
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Exceptional Condition. Handmade by John Walker in the old Gibson Custom Shop. High grade Honduran Mahogany back, sides and neck. Gabon Ebony fingerboard and bridge. Special aged Adirondack Red Spruce top. Waverly tuners. Beautiful traditional sunburst. This is a wonderful guitar, and quite rare. Only a handful of truly handmade J-35 were produced by Gibson Master Luthier John Walker, while he was head of the Gibson Custom shop in Bozeman, Montana, between 1992 and 1996. These guitars differ in many ways from 1998 and later Gibson production guitars that simply have a "custom shop" label attached to them. w/ OHC |
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1951 Gibson J-45 Guitar 'Sold' |
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Exc(-) condition. Some repairs... One side crack repaired in bass side upper bout. Back center seam reglued. Two worn areas in upper center of back have been cosmetically touched up with lacquer. One worn area in back is not touched up. NO top cracks. |
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c1941 Gibson J-45 Pre-Banner Transition from J-35 Guitar 'Sold' |
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Good(+) Condition. This guitar has been played. There are a lot scratches and areas where finish has worn off. The top, back and sides all have cracks that have been repaired, please call us for more information. The neck just has a few small marks and an area wear finish has been worn through. There is no fret wear, playability is very nice. |
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1962 Gibson J-45 Guitar 'Sold' |
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Exc(++) condition. Has original advanced bracing. 1 11/16" fingerboard width at nut. Only slight amount of work has ever been done to this guitar. Original adjustable bridge is replaced with a professional copy bridge with straight bone saddle. One short top crack repaired at, and below, bridge. One repaired slight pickguard crack under B/E strings. NO Cracks on sides or back. Original tuners and pickguard. This is a great sounding guitar that plays very good. w/ HC |
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1966 Gibson J-45 Guitar 'Sold' |
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Good+ condition. 1 11/16" width at nut. This guitar has a 1951 Gibson medium "C" profile neck. Neck has a few dings and is not a body-matched color (see photos), but is now tremendously different. Neck has a fresh milling, fresh fret job and new nut. Center seam on top has been re-glued, as well as five other top cracks. Back has two repaired cracks. Sides are crack free. |
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New Gibson J-45 Contest Prize Guitar Guitar 'Sold' |
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New Guitar. This guitar is a fresh, brand new Gibson J-45 that was awarded as Grand Prize at this summer's Grand Targhee Bluegrass Festival and Contest. While the winner greatly appreciates this guitar as a prize, he is selling it because he mainly plays square-shoulder dreadnauts. He is 14 years old...
This is a fine example of a J-45, with choice Spruce top and Mahogany back, sides and neck. Sunburst finish. Factory installed pickup system with volume control at inside edge of soundhole.
It sounds good enough to have been awarded the top prize at one of the top 5 or 6 contests in the Western U.S.
It is indeed a brand new guitar, made in late July 2009, but because it was awarded as a prize, Gibson didn't bother to include a warranty card with the guitar. w/ OHC |
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1966 Gibson J-45 Guitar 'Sold' |
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Refinished top. 1 9/16" width of fingerboard at nut. New copy Brazilian Rosewood bridge. Very good sounding guitar! Originally an "adj" (adjustable saddle height) model, but sounds much better with a normal bridge and bone saddle. w/ HC |
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2004 Gibson J-45 Guitar 'Sold' |
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Excellent condition. Mahogany back, sides and neck with nice Sitka Spruce top. Tobacco sunburst finish. Original Kluson copy tuners. Rosewood fingerboard and bridge.
There is some evidence of prior ownership, but it is only a few stray light scratches and a few small dings here and there, mainly on the back. The top is very clean. Recently set-up with Ivory nut and Bone intonated saddle, and fitted with bone bridge pins. Frets are in great condition.
It has an active pickup, with battery pack on headblock inside guitar (possibly original Gibson factory installation).
This is a fine sounding guitar that plays great. Whenever we get recent Gibsons like this in stock we are proud of our friends over in Bozeman that make them. So... here is a "good" J-45, ready for acoustic playing or plugged-in on stage, and at a great price, too. w/ OHC |
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2007 Gibson J-45 - "True Vintage" Guitar 'Sold' |
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New condition with open warranty papers. Part of the Gibson "True Vintage" series. Mahogany sides and back. Sunburst top. Rosewood fingerboard and bridge. Banner ("Only a Gibson Is Good Enough") logo on headstock. 24 3/4" scale. Deluxe Gibson hardshell case |
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2007 Gibson J-45 1942 Legend Hide Glue Guitar 'Sold' |
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Exceptional Original Condition. This guitar is Gibson's counterpoint to the Martin D-18 Authentic.
These guitar are built in limited quantities, with a serious eye on replicating the original "Banner J-45's" of 1942.
Honduran Mahogany back, sides and neck and Adirondack Red Spruce top. Rosewood fingerboard with dot inlays. Firestripe pickguard. Tuners are replicas of the old original Klusons. Peghead is also faithfully replicated with the correct old-looking gold Logo, with the historic banner beneath that states, "Only A Gibson is Good Enough".
The old original versions of these guitars were made with sharper, thinner braces than most Gibsons today, and... were also made using hide glue in certain applications, like the bridgeplate. Today these "re-issue" 1942 J-45 Legend guitars also have hide glue in the same areas as in the 1940's. Likewise, the braces are shaped close to the early more knife-like originals, as well as having braces and tonebars positioned in same placement as the original guitars had.
The finish looks a little bit "used" or "unfinished". This is because Gibson has used Nitro-Cellulose lacquer, but has stopped before the final sanding and buffing. This way the finish is not like a mirror, but appears softer, more hand-applied.
The set-up, playability, and the overall sound are all very good on this J-45 Legend. w/ OHC |
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2007 Gibson J-45 Legend Guitar 'Sold' |
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Exceptional original condition. Owned and enjoyed but never mistreated. In other words, it is "Clean as a Whistle".
Choice Mahogany back, sides and neck with Adirondack Red Spruce top. Beautiful early '40's style sunburst. 5-ply top bindings with 3-ply back bindings. Bindings are antique'd. The finish is very light and finely applied to give an older feel to the guitar. This instrument was constructed faithfully to the early J-45's, using old style glues and bracing patterns, etc. In other words, hide glue was used wherever it was used in about 1940-1943 construction. Neck width at nut is 1 3/4", with big full neck profile. Pin spacing at bridge is 2 3/16". Tuners are 3-on-a-plate pre-war style openback, with beautiful small antique cream buttons. Rosewood fingerboard and straight bridge. 'Cut-thru' bone saddle. Ebony bridge pins and endpin. Traditional firestripe pickguard.
This is a very nice guitar. If you like J-45's and are a fan of the big full necks, then here is the guitar for you. Great sound along with great workmanship. This is Gibson's counterpart to the Martin D-18 Authentic, and it holds up well in comparison. The sound is very good. It is clearly better than most newer production J-45's and is truly reminiscent of the old original Banner J-45's. Big sound!
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2008 Gibson J-45 Rosewood w/ Pickup and Open Warranty card Guitar 'Sold' |
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Original new condition. This guitar is practically brand new and has only been out of the store for a couple of weeks when we took it in on a trade. No evidence of player wear - no dings, no dents, no scratches. It comes with open waranty card and owners manual. Select Rosewood back and sides with Sitka Spruce top. Beautiful traditional sunburst. This guitar still smells like recently cut spruce! It plays well, sounds good, has good set-up. Comes with factory under-saddle active pickup. Also comes with 2 bridge saddles - original plastic Gibson saddle and new Bone intonated saddle from us. |
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2000 Gibson J-45 Rosewood w/ factory installed p/u Guitar 'Sold' |
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Exc(+) original condition. This is a great sounding J-45! Very smooth and full of tone and with great response. Select Rosewood back and sides with Sitka Spruce top. Beautiful traditional sunburst. We installed a bone intonated saddle in this guitar, which is a big upgrade for sound from the original plastic saddle. Comes with under-saddle active pickup - we're not sure if it was factory installed, or professionally installed later. This is a great guitar in great condition with great tone... w/ OHC |
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1957 Gibson J-50 Guitar 'Sold' |
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Exc(-) condition. 1 11/16" width of fingerboard at nut. This is a great 'working' J-50 that has spent quite a few years in our area being played by accomplished musicians. Cosmetically, there is only one thing you have to get used to - pickup control knobs were previously mounted into the Spruce top below the pickguard and a jack hole was cut into the side. The two top holes were professionally filled about 15 - 20 years ago, and the guitar is currently in the lutherie shop to have the side jack hole repaired.
As far as sound goes, this one is a 'good one'. Some J-50's tend to favor the treble. This guitar is warm and well-balanced. It is suited for playing quite a few styles of music.
A really good professional pickup by Michael Heiden is mounted on the bridge plate. It works great and sounds like one of the best pickups you'll hear anywhere - lots of output and very natural sound.
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c.1946 Gibson J-50 Guitar 'Sold' |
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Good(+) condition. 1 3/4" width at nut. Excellent player's instrument. Structurally and tone-wise, this instrument is in great shape, although it shows evidence of many rodeo gigs and late night bar gigs.
Mahogany back, sides and neck. Adirondack Red Spruce top. Original Brazilian Rosewood fingerboard and bridge. Original Kluson DeLuxe 3-on-a-plate tuners with original cream buttons. Original teardrop pickguard. Original bell truss-rod cover.
The top is heavily worn, but not cracked. Top has W.E. Manley expertly painted in gold leaf on the top. Perhaps the same excellent artist painted the gold leaf Gibson logo on the peghead
Original finish on the top, but not much original finish left on the rest of this guitar! I think a previous owner literally "played the finish off" the guitar... Back, sides, peghead and back of neck appear to be lightly finished with a brushed-on or padded-on shellac finish.
White bindings on top and back of body. Dot inlays in fingerboard. No back cracks. A couple of side cracks repaired. Small "football patch" jack hole repair in lower treble side. Old white paint on wood inside soundhole rosette and at top end of peghead. Endpin jack currently installed in guitar.
Ok... sounds pretty rough... but this is a very good guitar, especially for a serious player. Because there are no serial numbers or factory order codes, and because the logo on headstock seems to have been "restored", we struggled a bit with dating this guitar. w/ HCRecent neck reset, new saddle, fingerboard milling and fret job. |
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2007 Gibson J-50 w/ Baggs Pickup Guitar 'Sold' |
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Exc(++) original condition. Mahogany back, sides and neck, with select Sitka Spruce top. The Mahogany is so rich with colors that I'm pretty sure it is 'Amazon' mahogany, which can look very beautiful, with color similar to Koa wood.
This guitar is in very nice condition, showing almost no signs of previous ownership. The pickup is a Baggs soundhole model that can easily jack in or out of the inner wire to the end pin output jack. Everything is working fine on this guitar. w/ OHC |
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1941 Gibson J-55 Guitar 'Sold' |
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Exc(-) condition. Original bridge, original pickguard, original finish. One small repaired area on back, one long repaired side crack on bass side. Old 50's era output jack hole in side. Tuners changed years ago to late '40's Kluson Deluxe. Superior tone and projection. This is definitely one of the strongest war era Gibson's I've been around in years, with excellent tone. w/ newer TKL 5-ply case |
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1993 Gibson J-60 "CM" - Curly Maple Guitar 'Sold' |
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Exc. condition. Very slight lacquer lifting around tuner bushings. Spruce top maple back and sides. Square shouldered dreadnought body with 25.5 inch scale length. Ebony fingerboard and bridge Multiple tortoise bound body. Very nice guitar made in Bozeman, Montana.
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c.1937 Gibson L-00 Exceptional Condition Guitar 'Sold' |
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Exceptional original condition. 14-fret neck joint. NO cracks, no repairs! Beautiful sunburst. All original. Original finish still vibrant, but has normal finish checking. Tuners work well. Original Ebony nut and Rosewood bridge. Frets are in fine playing condition, showing only a little wear.
Mahogany back, sides and neck, with Spruce top. Straight bridge with cut-thru saddle. Original firestripe pickguard. This guitar is as clean inside as it is outside. Someone did write 2 letters onto the inside spruce backing strip with a pen, but other than that the inside is so clean it looks like a 5-year old guitar.
This is a wonderful guitar. It is light as a feather and sounds great with lots of immediate resonance. w/ Newer HC |
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c.1936 Gibson L-00 Great Condition Guitar 'Sold' |
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Exc(+) condition. Sunburst. 14-fret neck joint. It is rare to find these old original guitars that are in such nice original condition. Mahogany back, sides and neck, with Spruce top. Original Rosewood fingerboard. Bridge may be a newer excellent copy bridge. Original tuners. Original finish. One repaired pickguard crack that is hard to find.
This guitar has good set-up, with nice low action and full tone. Its great for fingerstyle playing, but also for playing with a pick. It has that old dry wood sound that so many players love.
w/ Newer HC |
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1938 Gibson L-00 Guitar 'Sold' |
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Exc. Condition. Top braces have been reglued, the top still shows a little rumpling from when they were loose. One top crack repaired, straight up from pickguard. Two top cracks on extreme bass side of lower bout. One side crack repaired adjacent to the two top cracks. Another two inch side crack off to treble side of end pin. No back cracks, no neck cracks.1 3/4" width at nut. All-original lacquer. |
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ca.1932 Gibson L-00 Guitar 'Sold' |
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Exc(-) condition. This is a nice classic example of an early L-00 from Gibson. Mahogany back, sides and neck, with an uncracked Adirondack Red Spruce top.
Beautiful original sunburst top finish. The finish shows honest player wear and finish checks. The wear is through finish to the wood in several places, but the overall effect is quite pleasing when you see it being played onstage... It has the right authentic look.
Original parts: Bridge, Pickguard, Tuners, etc. Neck has full profile.
This instrument is set up to play, and is in good playing condition. Frets are good, nut and saddle and bridge are good, etc. There are one or two repaired back cracks, but no top repairs. Very dry and woody tone.
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1930's Gibson L-00 Guitar 'Sold' |
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Good(+) condition. *Excellent "player's" guitar. 12-fret neck joint. 1 3/4" width of fingerboard at nut. 24 3/4" scale length. Appears to be Adirondack Red Spruce top. Mahogany back, sides and neck. Brazilian Rosewood fingerboard and bridge. Original bridge and tuners. D-string tuner post is bent, but works fine. Black body with white pickguard. Dot inlays in fingerboard. Gibson silkscreen script logo.
Four repaired top cracks, three repaired back cracks. Two repaired side cracks. Ridge down center of back of neck shows wear from leaning against rough surface. Two small holes in top below pickguard from former volume and tone knob installation. Jack hole in bottom side. Guitar currently has endpin jack professionally installed with cable inside with 1/8" jack for soundhole pickups to plug into.
Recently set-up professionally with very clean neck reset, new bone saddle, milled fingerboard and recent full fret job.
This guitar is a serious machine for playing. It's all set-up and ready to go and it sounds great. Quick response and good balance. The wear along center of back of neck doesn't seem to affect playability at all. |
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2001 Gibson L-00 Deep Body - Long Scale Guitar 'Sold' |
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Excellent condition. Sunburst. Comes with factory installed active pickup. Minor evidence of player wear - mostly just light surface scratches, with one ding on top. Some normal fret wear, but no big "v" dents in frets. Overall it is in nice shape.
1 11/16" width at nut. 25 1/2" scale length. Body is deeper than standard L-00. Upper bout is 4 3/8" depth and lower bout is 4 3/4" depth. Newer bone saddle and nut.
This guitar is set with light strings and low action. It plays real easy. w/ OHC |
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1944 Gibson L-7 Guitar 'Sold' |
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Fine condition. Typical Gibson crackle finish. Parallelograms fret markers. Very rare wartime model. Has truss rod in neck. Includes custom Lindy Frailin floating pickup mounted on the pickguard. w/ OHC |
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1967 Gibson LG-0 Guitar 'Sold' |
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VG(+) condition. Pretty nice shape and set-up to play well. One small crescent of replaced wood in the back at edge of lower bout. Mild fret wear. Two top cracks repaired. Bridge recently re-glued.
All Mahogany construction (top, back, sides and neck). Rosewood fingerboard and bridge. Bridge is adjustable, with original Rosewood saddle. Tortoise binding on top edge only. 1 9/16" width at nut. Original tuners and pickguard and frets.
This guitar has been recently set-up to play well. It has "ladder braces" under the Mahogany top, so you get that authentic "ponk" sound when playing. w/ SSC |
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c.1963 Gibson LG-0 Guitar 'Sold' |
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VG Condition. A few scratches and dents here and there on the top. Normal wear and tear on the back and sides. There is a little lacquer checking but no cracks. Neck has been reset and re-fretted and is in nice condition, there is very little player wear. |
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c.1943 Gibson LG-2 Banner Headstock Guitar 'Sold' |
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Exceptional condition. Mahogany top, back, sides and neck. Brazilian Rosewood bridge and fingerboard. X-braced top. All original. This is a pretty rare version of an LG-2, having a Mahogany top and the Banner Gibson logo.
1 3/4" width of fingerboard at nut. 24 3/4" scale length. This guitar is in very nice condition. It does have finish checks throughout, but it looks better for having them. The color is more of a 'Sienna' sunburst, not tobacco.
It is set up to play, with recent attention to frets and action. w/ newer HC |
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c.1942 Gibson LG-2 Banner Guitar 'Sold' |
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VG+ condition. All Mahogany. 1 3/4" width at nut. Big full neck profile. This guitar has had some various work performed on it, but is in very good shape for playing and has real good sound.
Repaired grain crack in neck heel. Several back cracks repaired. Side repair "football" patch - probably where a jack had been installed. Center-seam in top has been re-glued from bridge down to binding. Another long top crack on bass side of top was repaired. Original bridge has been radically thinned. Top shows history of "bellying" around and below bridge, but has been stabilized with extra brace under the top. Mahogany bridgeplate. Tuners replaced. Neck reset. Overspray finish on sides and back. Some marring of finish around fingerboard extension from heating fingerboard.
Ok, I know this sounds like a shopping list of things that have been done on this guitar... But all-in-all, its pretty nice to look at and very nice to play.
The belly in the top seems to be quite stable and the finish on the top is pretty nice. It plays fine and sounds great, with lots of character and expression. w/ Newer HC |
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1958 Gibson LG-3 Guitar 'Sold' |
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Exc(-) condition. One small triangular patch in Mahogany back, in lower bout, against binding. Frets appear to be original and have been milled once. There are some "V" dents in the frets in first position. Guitar has some normal lacquer checking, and has some random dings here and there. Schaller tuners were on the guitar for a period of time, but now it has vintage re-issue 3-on-a-plate Kluson copy tuners professionally installed.
Solid Mahogany back, sides and neck with blonde Spruce top. Rosewood fingerboard with dot inlays. Original Rosewood bridge and tortoise pickguard. 1 11/16" width at nut. w/ HC |
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1959 Gibson LG3 Guitar 'Sold' |
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One of the rarest of the small-body Gibson acoustic guitars! Mahogany back, sides and neck, Spruce top. These guitars sound great, having very good construction and true X-bracing design. This one is pretty remarkable to be in this nice condition. NO TOP CRACKS. There are 4 repaired back cracks, but in person they seem less important overall. Original tuners, pickguard and bridge. The original faux alligator chipboard case is in good shape. This guitar is set up to play and has no problems. w/ SSC |
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1992 Gibson Nick Lucas Handmade Custom Guitar 'Sold' |
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Exceptional original condition. Rare handmade short scale prototype. Highly figured Maple with Adirondack Red Spruce top. Short scale - 24 3/4". Width at nut 1 23/32". Vintage rounded "V" neck profile.
Highly figured Maple back and sides. Mahogany neck. Brazilian Rosewood fingerboard and bridge. Waverly pre-war style open-back tuners. Firestriped pickguard. Bone saddle and nut. Beautiful vivid traditional sunburst.
In about 1992, Gibson announced that it would re-issue the famous Nick Lucas guitar model. These were designed around an L-00, but with deeper upper and lower bouts, multiple bindings and unique inlays in headstock and fingerboard. Eldon Whitford, Dave Vinopal and Dan Erlewine were at this time working on the "Gibson's Fabulous Flattop Guitars" book that showcased not only the original vintage Gibson models, but also dedicated lots of information about the new factory in Montana and their re-issuing of these classics as well as spotlighting their handmade custom shop. These 3 men were very excited to get early examples of these Nick Lucas guitars, but had heard that the factory intended to build them as long scale versions. They booked several of the first guitars to be handbuilt by John Walker - Gibson Master Luthier and head of the Custom Shop, and to be made with 24 3/4" short scale, like the original Nick Lucas guitars.
So... while the Gibson factory was manufacturing their run of long scale Nick Lucas guitars, there were several examples handmade by John Walker in the newly-formed Custom Shop. Some of these were made to the even earlier L-1 shaped Nick Lucas, while most were made to the L-00 shape. Only about 4 were handmade with short scale. This guitar is numbered #004/100.
This is a great guitar with nice full, open sound. The set-up is great. It is clearly heads above the factory Nick Lucas models.
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1992 Gibson Nick Lucas - Prototype A Handbuilt by John Walker Guitar 'Sold' |
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VG+ condition. Sunburst. No Repairs. Guitar shows lots of lacquer checking and has some lacquer chipped off of binding along fingerboard.
14-fret neck joint. 25 1/2" scale length. Figured Maple back and sides. Mahogany neck Rosewood fingerboard and bridge. Gibson logo and Fleur d' Lis inlaid in MOP in peghead. "Nick Lucas" inlay pattern in fingerboard. w/ Newer Hard CaseThis very guitar is really and truly "Prototype A", as it is the first Gibson Nick Lucas guitar built since about 1939. John Walker, who was head of Gibson Custom shop built this guitar entirely by hand. John handbuilt the first NINE re-issued Nick Lucas guitars from Gibson in 1992. Almost all of them were varying versions of the Nick Lucas, with some having Rosewood or Mahogany backs and sides, some having 12-fret neck joints,some with short scale, and some built with the earlier "L-1" body size. * Gibson collectors take note of the above information. This may be the only place you'll ever see this specific information. This guitar was awarded to a noted musician in Montana for his work in encouraging Gibson to re-issue the Nick Lucas model. It was used at festivals, jams, and other performances. This very guitar is seen and recorded in the picnic scene in "A River Runs Through It". This is quite a rare piece, and would be priced around $5,000+, except that it has heavy finish checking. |
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1992 Gibson Nick Lucas Custom Handmade Guitar 'Sold' |
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Exc(+) condition. This is a very rare guitar. Handbuilt by John Walker during the earliest establishment of the Gibson Montana "Custom Shop". Only a very small number of the first 100 Nick Lucas guitars were handbuilt by Walker... perhaps 6-10 guitars. This one the original label with John Walker's and Ren Ferguson's initials, as well as John Walker's name signed underneath the top.
While most of the Nick Lucas guitars produced by Gibson in Montana have long scale length, this one has the traditional SHORT SCALE that the original Nick Lucas models had.
Flamed Maple back and sides. Honduran Mahogany neck. Appears to be Adirondack Red Spruce top. Beautiful full-body sunburst. Multiple white/black/white bindings on body and fingerboard. Brazilian Rosewood fingerboard and bridge. Firestriped pickguard. Nickel Waverly tuners.
The action is set nice and low. Very crisp attack and full sound.
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1952 Gibson SJ-200 Guitar 'Sold' |
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Exc(-) condition. Sunburst. This is the "real thing" - an old Super Jumbo 200 that was used on stage many times by very good players, yet never abused. All original parts. Nicely figured Maple back, sides, and neck. Spruce top. Heavy wear just around pickguard-bridge-soundhole area through the finish. Center seam has been reglued between bridge and binding. Some repaired top cracks - one on base side waist and downward; 2 from outer edge of pickguard. Small areas of sunburst touchup out from bass side of soundhole. Small area of wear on back center of guitar, and area of thumb wear on back of neck.
This guitar sounds great and has been on stage in working country bands as well as used at high levels of national fiddle contests. It will be a great addition to any collection, or could be used out on tour.
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1950 Gibson Southerner Jumbo Guitar 'Sold' |
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Excellent condition. One repaired 2" side crack and one filled small jack hole 2" from endpin. |
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c.1929 Gibson TG-L4 Tenor Guitar 'Sold' |
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Exc(-) condition. Beautiful big-bodied Tenor guitar. 23" scale length, with 12-fret body joint. Original Grover Patent "2-band" banjo tuners. Beautiful sunburst. Top has had several cracks repaired - 2 short repaired cracks on treble side of fingerboard extension, and 3 longer grain cracks at center area of top. All are repaired and tight. Back is very nicely figured Maple, like a perfect L-7. Trapeze tailpiece appears original, but has mandolin tailpiece stuck at the end of the trapeze! w/ Newer plastic molded |
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